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SUMMER AT GAGLOW

A shrewdly observant, emotionally astute postmodern version of a family saga. Here, Freud (Peerless Flats, 1993, etc.) focuses more on individual episodes than on continuity. Her parallel narratives trace, on the one hand, the collapse of the privileged lives of the wealthy Belgards in WWI-era Germany, and, on the other, the efforts of a descendant of the family to unravel its mysteries. The three Belgard sisters are, at first, more concerned with their long-simmering conflict with a distant mother than with the onset of war. Even the departure of their beloved brother Emmanuel to the army doesn’t much affect the tenor of their comfortable existence at Gaglow, the family’s vast country home. But little by little the war intrudes: The girls— father, an affluent grain merchant, watches his fortune dwindle; their brother disappears on the Eastern Front; and the once-sumptuous estate shows signs of disrepair and decay. Along the way, the author, great-granddaughter of Sigmund, shows an uncanny ability to get inside the turbulent minds of adolescent girls: Her depiction of Bina, Martha, and Eva’s dreams, fears, and fascinations is lively and detailed.. In a subplot set in modern London, Sarah, a sometime actress in her 20s, pregnant with her first child, gradually becomes consumed by the need to make sense of her ÇmigrÇ family’s obscure past. Her search is spurred by the news that Gaglow, having been held by the now-collapsed East German regime, will likely return to the family. Sarah and Eva’s parallel struggles as young women (Eva must face the collapse of her comfortable life, and the loss of family members; Sarah must deal with a baby, a stalled career, and a feckless boyfriend) are rendered with feeling, but the two stories never converge convincingly. And Freud, while she renders emotions with accuracy, never seems much interested in motivations. Still, the portrait of a vanished way of life is forceful and moving. And Freud’s elegantly uncluttered prose is a pleasure. A skilled, if somewhat uneven, performance.

Pub Date: April 23, 1998

ISBN: 0-88001-585-3

Page Count: 256

Publisher: Ecco/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1998

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SO FAR FROM GOD

Chicana writer Castillo (whose reputation until now has been mostly regional) brings a warm, sometimes biting but not bitter feminist consciousness to the wondrous, tragic, and engaging lives of a New Mexico mother and her four fated daughters. Poor Sofi! Abandoned by her gambler husband to raise four unusual girls who tend to rise from adversity only to find disaster. ``La Loca,'' dead at age three, comes back to life—but is unable to bear the smell of human beings; Esperanza succeeds as a TV anchorwoman—but is less successful with her exploitative lover and disappears during the Gulf War; promiscuous, barhopping Caridad—mutilated and left for dead—makes a miraculous recovery, but her life on earth will still be cut short by passion; and the seemingly self-controlled Fe is so efficient that ``even when she lost her mind [upon being jilted]...she did it without a second's hesitation.'' Sofi's life-solution is to found an organization M.O.M.A.S. (Mothers of Martyrs and Saints), while Castillo tries to solve the question of minority-writer aesthetics: Should a work of literature provide a mirror for marginalized identity? Should it celebrate and preserve threatened culture? Should it be politically progressive? Should the writer aim for art, social improvement, or simple entertainment? Castillo tries to do it all—and for the most part succeeds. Storytelling skills and humor allow Castillo to integrate essaylike folklore sections (herbal curing, saint carving, cooking)—while political material (community organizing, toxic chemicals, feminism, the Gulf War) is delivered with unabashed directness and usually disarming charm.

Pub Date: April 17, 1993

ISBN: 0-393-03490-9

Page Count: 256

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1993

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VANISHING ACTS

An experienced novelist takes her sweet time to rich rewards: overall, an affecting saga, nicely handled.

Well-oiled Picoult sets her latest expertly devised search-and-rescue tale in rural New Hampshire, where a kidnapping case is uncovered 28 years too late.

As usual, Picoult (My Sister’s Keeper, 2004, etc.) spins a terrifically suspenseful tale by developing just the right human-interest elements to make a workable story. Single mom Delia Hopkins works with the local Wexton police and a bloodhound named Greta to find lost children. Delia’s close relationship with her divorced, 60-ish father, Andrew, who runs a senior-citizens’ home, grows strained when he’s suddenly arrested on kidnapping charges. The victim is Delia herself, named Bethany Matthews before her father fled with her from a drunken Mexican mother in Arizona. For 28 of her 32 years, Delia has believed her mother was dead. With Andrew extradited to Phoenix, the strange history of the case unravels, complicated by the choice of Delia’s fiancé, Eric (father of daughter Sophie), as Andrew’s lawyer and the assignment of her childhood buddy Fitz to cover the case for his newspaper. Picoult is a thorough, perceptive writer who deliberately presents alternating viewpoints, so that the truth seems constantly to be shifting. When Delia finally meets the attractive, remarried Elise Vasquez, she can’t quite vilify a woman who has been sober for many years and works as a curandera (healer). Her father’s story is both suspect and understandable, especially in light of his horrific treatment in prison, caught up in the violence of rival gangs. The magnetic Eric is a recovering alcoholic who falls off the wagon when stressed, while dependable, silent lover Fitz waits in the wings for his chance. Meanwhile, Delia and Sophie make a fascinating digression into the mythical world of the local Hopi tribe. At times, Picoult goes over the top, allowing Sophie to get lost so that Greta can find her and, at the eleventh hour, inserting into the trial the possibility of Delia’s sexual abuse .

An experienced novelist takes her sweet time to rich rewards: overall, an affecting saga, nicely handled.

Pub Date: March 1, 2005

ISBN: 0-7434-5454-5

Page Count: 448

Publisher: Atria

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Jan. 1, 2005

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