by Ethan Long & illustrated by Ethan Long ‧ RELEASE DATE: Sept. 1, 2012
Proving even pooped piggies are ready to party, this will make children want to join in.
A noisy barnyard is no place for a nap!
Poor pig, all he wants to do is take a short snooze. However, there seems to be something going on around him. Each of his farm friends is making noise of one kind or another. “Hen wants to saw.” “Dog wants to tap.” “Hog wants to hum.” Pig looks closer and closer to fainting from exhaustion until he spies some drinking straws and has an idea. He sinks himself in his mud puddle and breathes through a straw snorkel. He’s finally able to catch some Z’s…but all those barnyard noises had a purpose: prep for a piggy birthday celebration. So much for napping! Long’s entry in the I Like to Read series tells its simple tale in 47 words, nearly all of which are of the single-syllable, easy-to-sound-out variety. Bright pastel-and-primary full-bleed illustrations featuring big-eyed farm folk will keep eyes on the page during storytime or guided independent reading. The visual humor and the easy-reading text make this a winner for readers just starting out.
Proving even pooped piggies are ready to party, this will make children want to join in. (Early reader. 4-7)Pub Date: Sept. 1, 2012
ISBN: 978-0-8234-2428-3
Page Count: 32
Publisher: Holiday House
Review Posted Online: May 29, 2012
Kirkus Reviews Issue: June 15, 2012
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by Ian Falconer ; illustrated by Ian Falconer ‧ RELEASE DATE: Sept. 1, 2000
New fans of Falconer can only hope Ian will soon star in his own book.
Even before her story begins, readers are following Olivia as she leaves a trail of clothes that she has eschewed in favor of the outfit du jour for her auspicious entrance on the title page.
Rarely have readers seen a pig with such joie de vivre and panache. The brief, declarative text is an unadorned introduction to a character who will gain instant recognition and quickly be taken to heart. The story very simply follows the irrepressible Olivia (along with her somewhat forbearing family) through a typical day from morning to night, with excursions to the beach and the art museum. A delicious irony is established between the spare, deadpan text and the ever-ebullient and excessive Olivia. “Olivia gets dressed. She has to try on everything,” says the text. Thus begins a parade of 17 outfits and 17 poses on a double-page spread. While young readers will love picking their favorite among the 17, by far the funniest is Olivia in her pantyhose. Much of Olivia’s personality is conveyed through her generous, expressive, and slightly quizzical mouth, as she ponders a Degas at the museum or suffers the indignity of a “time out” after re-creating a Jackson Pollock on her bedroom wall. Characterizations are deftly accomplished with minimal line. Illustrations are rendered in charcoal and gouache in black, white, velvety gray with lipstick-red accents. Flawless decisions in composition and page design, generous white space, and a few exaggerated perspectives add much to the book’s distinction. Although the most visual weight is given to Olivia, just waiting on the sidelines is Olivia’s little brother Ian.
New fans of Falconer can only hope Ian will soon star in his own book. (Picture book. 4-7)Pub Date: Sept. 1, 2000
ISBN: 978-0-689-82953-6
Page Count: 40
Publisher: Atheneum
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 1, 2000
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by Dashka Slater ; illustrated by Sydney Hanson ‧ RELEASE DATE: April 7, 2020
Like the eponymous dish, this will whet limited appetites.
A Francophone snail struggles to find itself in a story.
Escargot, a cartoon snail in a blue-and-white–striped shirt, a red kerchief, and a black beret, immediately breaks the fourth wall, opening with: “Bonjour! I see you are reading a book. I will try not to distract you.” (The “you” here at the end is revealed to be a smiling black child holding a paintbrush. It’s all very meta.) Of course, what follows is a meandering distraction. Escargot first talks about different books “you” might like, then laments the lack of vibrant, positive snail representation in these stories. Escargot then brags about itself, imagining that “you” are addressing it: “The main character of a story must have a problem, Escargot! You are so handsome, suave, and smart. What problem could you possibly have?” (The proliferation of “you”s here, referring to very distinctly different “you”s, will pose a challenge to young readers not totally conversant with the conventions of dialogue.) The problem turns out to be that Escargot is tired of salads. The ensuing adventure involves finding a French cookbook, learning that snails could be on the menu, and deciding that the only way to save the day is to eat the cookbook. It’s barely even a story, and the annoyingly grandiose narrator is likely to lead non-Francophones to attempt a mocking French accent during read-alouds, an exhausting gag that tires itself out.
Like the eponymous dish, this will whet limited appetites. (Picture book. 4-7)Pub Date: April 7, 2020
ISBN: 978-0-374-31286-2
Page Count: 40
Publisher: Farrar, Straus and Giroux
Review Posted Online: Jan. 20, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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