This is a book with much to offer to children, from tiny babies who will laugh at the funny birds through preschoolers who...
A clever cast of avian characters conveys the meaning of several directional terms in this innovative lift-the-flap book that will appeal to babies and toddlers as well as children just beginning to read.
Long’s captivating illustrations use thick, black outlines and cartoon-style birds in bright shades of purple, green and orange. The book is divided into three short episodes that illustrate the concepts of tall/small, high/low and up/down. Each episode features three or more birds, with just a few words of dialogue in speech balloons using the simplest vocabulary. The bird groups each tell a tiny but complete story illustrating their concept, with birds flying up or floating up with balloons and, of course, coming back down again in various ways. A three-quarter-sized gatefold flap at the end of each episode lifts up to extend the story in some humorous way related to the tall/high/up concepts, with several unexpected twists and funny effects. Though the volume has a regular hard cover and medium trim size, the pages are printed on sturdy coated paper to facilitate the handling of the flap pages.
This is a book with much to offer to children, from tiny babies who will laugh at the funny birds through preschoolers who will get the clever jokes to 5- and 6-year-olds who might find this a very first read-alone. (Picture book/early reader. 1-6)Pub Date: Feb. 16, 2012
ISBN: 978-0-399-25611-0
Page Count: 40
Publisher: Putnam
Review Posted Online: Dec. 20, 2011
Kirkus Reviews Issue: Jan. 15, 2012
While the ghoulies here are more cute than scary, “jump,” “quiver,” and “run” will probably get across the idea to even the...
An abecedary of spooky or autumnal delights for the littlest readers.
Each letter of the alphabet is highlighted on a single page, the upper- and lowercase letters appearing in the upper left-hand corner, while the object is named at the bottom or in the upper right. Ho keeps her illustrations simple and places them against plain, brightly colored backgrounds, keeping them accessible to those still learning about Halloween’s many icons. The almost-fluorescent orange cover is sure to attract attention, and the palette of black, purple, orange, yellow, and radioactive green enhances the Halloween mood. But while many of the chosen items will be expected—bats, ghost, haunted house, owl, skeleton, vampire, witch, zombie—others are rather odd choices. J is for “jump,” not jack-o’-lantern (“pumpkin” is illustrated with a jack-o’-lantern); K is for a mostly black “kitten” standing in a coffin; and N is for “nightmare,” which is virtually impossible to express visually for this age group without provoking said nightmare. Here, a lavender-skinned child (zombie?) in pajamas and nightcap has arms raised and mouth open wide in surprise—perhaps in response to the mummy across the gutter? The tough letters use “quiver,” spider-decorated “underpants” on a monster, and “extra treats,” the x underlined.
While the ghoulies here are more cute than scary, “jump,” “quiver,” and “run” will probably get across the idea to even the youngest listeners that Halloween can be scary. (Board book. 2-4)Pub Date: July 18, 2017
ISBN: 978-0-7636-9527-9
Page Count: 28
Publisher: Nosy Crow
Review Posted Online: Aug. 6, 2017
Kirkus Reviews Issue: Jan. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A brief adventure that celebrates short-lived seclusion.
Sometimes giving solitude a spin is just what a strong friendship needs.
George is a large, gentle bear; Lenny is a small gray rabbit. As the two spend the day on the playground, Lenny notices that they never seem to be apart and begins to speculate about what it would be like to be alone. “Lonely, I bet. And sad!” retorts George. But Lenny, not to be dissuaded, decides to give it a go. At first George tries various ways to join in (“Do you think there is enough room for two?”), but at last Lenny gets some solo time to draw, read, blow bubbles, and sit and think. It’s rewarding, but so is being with George. Writing simple picture books aimed at younger readers can be challenging, but Agee has succeeded in winnowing down a story of curiosity and loneliness to its most essential components. The tone of the book is consistently gentle; even George’s irritation lasts only a moment or two. The entire enterprise brings to mind (in the best possible way) the story “Alone” from Arnold Lobel’s Days With Frog and Toad. Agee’s simple yet expressive thick-lined art makes for an ideal accompaniment.
A brief adventure that celebrates short-lived seclusion. (Picture book. 2-5)Pub Date: May 27, 2025
ISBN: 9780593857731
Page Count: 40
Publisher: Rocky Pond Books/Penguin
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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