by Eugene Bright ‧ RELEASE DATE: Sept. 13, 2016
A memoir that offers a promising look into the early 20th century but never brings the same excitement to its tales of more...
A debut author traces his family’s history, decade by decade, from the early 1900s to the present day.
In each chapter, Bright summarizes the major historical events of a 10-year span before recounting specific stories of himself and his family in detail. The author’s grandfather, Tom Bright, was married six times, and the family eventually spread from Ontario to Montana. They were mostly hardworking farmers, and these late pioneers in the first few chapters provide the most intriguing portions of his story, as well as wonderful, old photographs. The author’s recollections of his father, Ray Bright, riding in a cattle car across Canada in 1907 to start a new homestead are engaging, and other rich historical details bring the family’s first isolated farms to life. In 1923, Ray proposed to a local Ontario girl named Lottie Sampson, and in 1929, the author was born; he would eventually have a total of seven siblings. Thanks to his parents’ work ethic, the family would grow up “liv[ing] like kings” by Depression-era standards, despite not having electricity until 1949. Bright eventually attended theology school, where he married a young teacher named Marian Roberts; they lived with her mother, had five children, and taught at various schools around Canada throughout the prosperous 1950s and ’60s. Bright’s memoir diligently documents vacations, births, and job changes up to the present day, including Marian’s tragic passing and his new happy marriage to Betty Hamm in 2009. The inclusion of so many precise details makes the first few chapters feel dense with engaging material. However, later chapters, which cover more familiar narratives of road trips and graduations, become repetitive. The story and prose are most interesting when Bright examines his ancestors, instead of himself; several of them deserved more time in the spotlight, including the author’s eccentric vaudevillian uncle, Hart DeMille. Later accounts of new jobs and weddings, though, never seem like more than a thorough chronology intended for Bright’s immediate family, and general readers may wish for more stories of the pioneers.
A memoir that offers a promising look into the early 20th century but never brings the same excitement to its tales of more recent years.Pub Date: Sept. 13, 2016
ISBN: 978-1-4602-9039-2
Page Count: -
Publisher: FriesenPress
Review Posted Online: Nov. 17, 2016
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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