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CONSORT OF THE FEMALE PHARAOH

HAT-SHEP-SUT, SENEN-MUT AND EGYPT'S 18TH DYNASTY

A big, baggy book that will appeal to only the most passionate ancient Egypt buffs.

Class warfare and women’s liberation come to ancient Egypt in Stovall’s (Cassandra’s Curse, 2010) new historical fiction.

In ancient Egypt, the ruling religious and political forces rely on the separation of classes as the bulwark of their power. It’s heresy, for instance, to teach commoners that they may have any lot in life other than to serve the pharaoh. Senen-Mut is a commoner—a wealthy, promising young man, but a commoner nonetheless. Yet he catches the eye of the local leader and is chosen to study at the Royal School. There, he and young Princess Hat-Shep-Sut fall in love and begin a complex relationship that ties them together for the rest of their lives. Hat-Shep-Sut ascends to the pharaoh’s throne, vexing the conservative leaders, and Senen-Mut rises on to an illustrious military career. Meanwhile, Egypt is in a state of war, constantly defending and redefining its borders. Stovall draws deeply on historical sources to tell his story, set more than 3,000 years ago during Egypt’s 18th dynasty. (Hat-Shep-Sut and Senen-Mut are real historical figures, and historians have speculated on their romantic relationship). Unfortunately, storytelling itself often plays second fiddle to historical detail, turning what must have been very exciting lives into a rather tedious read. Characters sometimes act with very little motivation beyond historical necessity, and they fade in and out of the story, making it easy to forget the main story arc. Senen-Mut and Hat-Shep-Sut even disappear from the narrative for long stretches. This long, rangy book covers decades of action, but it’s oddly paced, often covering far too much ground in short, choppy paragraphs. Beyond the structure, there’s a desperate need for copy editing, with persistent punctuation, grammatical and spelling errors, as well as the odd but consistent italicization of certain proper names. A disciplined editor could help bring this epic story to life.

A big, baggy book that will appeal to only the most passionate ancient Egypt buffs.

Pub Date: Sept. 19, 2012

ISBN: 978-1479344895

Page Count: 370

Publisher: CreateSpace

Review Posted Online: Feb. 13, 2013

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A SITTING IN ST. JAMES

A marathon masterpiece that shares a holistic portrait of U.S. history that must not be dismissed or forgotten.

An unblinking view into plantation life in the Deep South.

At first glance this epic seems to be focused on the ups and downs of the Guilbert family, slaveholders living in the Louisiana parish of St. James whose legacy is protected by 80-year-old matriarch Madame Sylvie Bernardin de Maret Dacier Guilbert. However, Williams-Garcia doesn’t stop in the salons and sitting rooms; she brings readers into the cabins and cookhouses of enslaved people whose perceived invisibility gives them access to ideas and knowledge that empower them in ways that few fiction writers have examined. Sixteen-year-old Thisbe is the personal servant to Madame Guilbert—treated like a pet and beaten with a hairbrush for the smallest alleged slight. Her narrative to liberation is intricately webbed within the story of the Guilberts. Thisbe’s silence helps her acquire the language to affirm her humanity to those who would deny it. With a cast of characters whose assorted genealogies feel like an ode to the mixing of peoples and cultures in Louisiana, this story broadens and emboldens interrogations of U.S. chattel slavery. Williams-Garcia’s meticulous research processes shout volumes about the importance of taking contemporary inspiration into the archives to unearth sorely needed truths as we continue to navigate questions of equity and justice for the descendants of enslaved people.

A marathon masterpiece that shares a holistic portrait of U.S. history that must not be dismissed or forgotten. (author's note, bibliography) (Historical fiction. 15-adult)

Pub Date: May 25, 2021

ISBN: 978-0-06-236729-7

Page Count: 480

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: March 2, 2021

Kirkus Reviews Issue: March 15, 2021

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SALT TO THE SEA

Heartbreaking, historical, and a little bit hopeful.

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January 1945: as Russians advance through East Prussia, four teens’ lives converge in hopes of escape.

Returning to the successful formula of her highly lauded debut, Between Shades of Gray (2011), Sepetys combines research (described in extensive backmatter) with well-crafted fiction to bring to life another little-known story: the sinking (from Soviet torpedoes) of the German ship Wilhelm Gustloff. Told in four alternating voices—Lithuanian nurse Joana, Polish Emilia, Prussian forger Florian, and German soldier Alfred—with often contemporary cadences, this stints on neither history nor fiction. The three sympathetic refugees and their motley companions (especially an orphaned boy and an elderly shoemaker) make it clear that while the Gustloff was a German ship full of German civilians and soldiers during World War II, its sinking was still a tragedy. Only Alfred, stationed on the Gustloff, lacks sympathy; almost a caricature, he is self-delusional, unlikable, a Hitler worshiper. As a vehicle for exposition, however, and a reminder of Germany’s role in the war, he serves an invaluable purpose that almost makes up for the mustache-twirling quality of his petty villainy. The inevitability of the ending (including the loss of several characters) doesn’t change its poignancy, and the short chapters and slowly revealed back stories for each character guarantee the pages keep turning.

Heartbreaking, historical, and a little bit hopeful. (author’s note, research and sources, maps) (Historical fiction. 12-16)

Pub Date: Feb. 2, 2016

ISBN: 978-0-399-16030-1

Page Count: 400

Publisher: Philomel

Review Posted Online: Nov. 2, 2015

Kirkus Reviews Issue: Nov. 15, 2015

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