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BOULDER

A novel that lionizes the desire to be alone even as it recognizes the beauty and grace found within a family.

An inveterate loner gives up her cherished solitude for the lure of love but finds that “the strength of family ties” may bind too tightly.

When we first meet the narrator of this tightly controlled meditation on sensuality, passion, and duty, she is squatting alone in the rain waiting for the freighter that will take her away from her temporary job as a mess-hall cook at an isolated camp on the Chilean coast and into an uncertain future. Taciturn, self-reliant, and stubborn, our narrator has come to the tip of the world in search of “true zero,” a place where she can stop “pretend[ing] life had a structure.” Though her three-month contract at the camp has ended, she refuses to return to the “devastating possibility of the same old job” and instead signs on as the freighter’s cook, spending the next few years traveling up and down the South American coast. This itinerant life satisfies with its repetitive labor, its lack of expectations beyond the immediate needs of the body, the beauty of its vistas that can be appreciated from afar; but then our narrator meets Samsa, a young Icelandic woman with “white-blonde hair [and] swimmer’s shoulders,” in a port city cafe and falls in instant lust. Her feelings are reciprocated, and she soon becomes involved in an elliptical relationship with Samsa, who renames her Boulder after the “large, solitary rocks in southern Patagonia, pieces of world left over after creation, isolated and exposed to every element.” When Samsa accepts a position in Reykjavík, Boulder moves there with her and tries to settle into a landlocked life, rocked only by the swells of her passion for her lover. Samsa, however, wants to expand and solidify their family with a little yellow house on the outskirts of the city and a baby whose arrival will erase everything that came before but replace it with nothing as solid as “the strength of [the] family ties” that Samsa so fondly imagines for them. Boulder’s emotional isolation coupled with the poetic intensity of her sexuality makes her a striking character, unique in action and in thought, and the prose lilts in truly surprising ways as it navigates the plot’s more familiar tropes of love and desire, dedication and alienation. The book is a modern love story—global, queer, existential in its moral hierarchies—but it is also a rumination on those two most ancient of words: lover and mother.

A novel that lionizes the desire to be alone even as it recognizes the beauty and grace found within a family.

Pub Date: Aug. 2, 2022

ISBN: 978-1-91350-538-7

Page Count: 112

Publisher: And Other Stories

Review Posted Online: May 24, 2022

Kirkus Reviews Issue: June 15, 2022

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

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Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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