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THAT NIGHT IN THE LIBRARY

Like the participants in this ritual, you need to be in the mood for this one. Pass the joint.

Think libraries are staid, respectable, and boring? Think again.

The night before graduation at his mercifully unnamed Vermont university, Davey Kebede plans a secret after-hours reenactment of the Eleusinian Mysteries, a ritual designed to overcome the fear of death, in the William E. Woodend Rare Books Library, where his stint as an assistant is coming to an end. Since the ritual isn’t something he can stage on his own, he invites Soraya Abbasi and Mary Xiao, his two competitors for a full-time position at the Woodend, to join him, along with Kip Pickens, the son of philanthropists who’ve thrown their money around this campus and others; Applebee’s bartender Ro Tucci, whose job this evening is to supply drugs; his girlfriend, classics student Umu Owusu; and, just to round things out, mousy physics undergraduate Faye Bradshaw, who kicks off the festivities by announcing that she’s not going to take the acid Ro has brought for everyone to drop. As if on cue, the lights go out, and you’d never guess what happens next. By the end of the night, most of this crew will be history, and not in an Eleusinian way. Davey notes that “we’re not in an Agatha Christie novel,” and he’s absolutely right. Both the setup and the execution are far less realistic than those of And Then There Were None, and the variety of means to these violent deaths is more redolent of an old dark house movie or a drug-addled teen horror flick that just happens to be set in the stacks of a well-funded library.

Like the participants in this ritual, you need to be in the mood for this one. Pass the joint.

Pub Date: June 11, 2024

ISBN: 9781728295695

Page Count: 288

Publisher: Poisoned Pen

Review Posted Online: April 5, 2024

Kirkus Reviews Issue: May 1, 2024

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THE ENDING WRITES ITSELF

High-concept and highly entertaining.

Fiction writers compete to finish a famous author’s abandoned novel.

Seven writers, all but one published, have received invitations to spend the weekend with crime novelist Arthur Fletch, the world’s most successful author, on his private island off the coast of Scotland. When they arrive at his cliffside castle, they expect to take part in one of the literary salons for which Fletch is famous; instead, they’re greeted by his agent, who informs them that Fletch is dead. Why has there been nothing about this in the press? Because “there are some…loose ends that must be tied up first.” Fletch has left his eagerly anticipated final novel unfinished, so the agent has summoned the writers to the island for a competition: One of them will get to complete Fletch’s book. As premises go, this one’s a humdinger, courtesy of fantasy writer V.E. Schwab and YA author Cat Clarke, here joining forces as Clarke. The story contains an amusing throughline about the indignity of being an uncelebrated novelist; as the agent tells the assembled writers, the contest winner will receive both cash and something equally valuable: “a way out of the midlist.” The novel’s wandering perspective allows each writer to vent their private frustrations, especially with the publishing industry and with the book world’s genre hierarchy (the YA writer among the competitors understands that she and the romance writer are “supposed to support each other against the general snobbishness of the other genres”). Readers who have come for the crimes and the twists, both of which are plentiful, might grow impatient with all the characters’ backstories, but these readers will likely warm to the shop talk, which at its funniest plays like a kvetchy midlist-writers’ support group.

High-concept and highly entertaining.

Pub Date: April 7, 2026

ISBN: 9780063444614

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: Jan. 19, 2026

Kirkus Reviews Issue: Feb. 15, 2026

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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