The perfect gift for librarians and those who love them—and doesn’t that include just about every reader?
Toronto librarian Jurczyk’s first novel is a valentine to librarians that doesn’t shy away from their dark sides.
The ceremonial display of a university library’s latest headline acquisition, a Plantin Polyglot Bible, to a select group of influential donors comes a cropper over two misfortunes. First, Christopher Wolfe, the director of the Department of Rare Books and Special Collections for the 40 years since 1969, suffers an incapacitating stroke before he can retrieve the Bible from the safe in which he stored it while awaiting an insurance evaluation (best guess: $500,000). Then, when Liesl Weiss, the longtime assistant who’s suddenly catapulted into Wolfe’s job, finally gets the combination from his distraught wife, she finds the safe empty. The donors are fobbed off with a Peshawar manuscript that may include the very first use of a zero, but the library is still in crisis. Was the Plantin simply misplaced or (gasp) stolen? How long can university president Lawrence Garber keep its disappearance secret? And how will the library ever recover the trust of major donors if the staff can’t keep track of the materials it purchases with their big-ticket donations? Liesl is especially distressed because her protégé, Miriam Peters, goes missing very shortly after the Platin, and the discovery of her corpse, an apparent suicide, weeks later in a nearby wood does nothing to derail the assumption that she was the thief. Even though, as Liesl’s colleague Francis Churchill points out, “Our entire job is finding information,” Jurczyk consistently subordinates the question of whodunit to the question of how to handle the case.
The perfect gift for librarians and those who love them—and doesn’t that include just about every reader?Pub Date: Jan. 25, 2022
ISBN: 978-1-72823-859-3
Page Count: 336
Publisher: Poisoned Pen
Review Posted Online: Sept. 28, 2021
Kirkus Reviews Issue: Oct. 15, 2021
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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