Teenage readers might be swept up in the passion between Therese and Than, though the story is unlikely to inflame any sort...
In this teen fantasy novel and love story, an orphaned girl finds herself at the center of a war brewing among the gods of Olympus.
When a book opens with a bang like this, readers might expect great things. Fifteen-year-old Therese is riding in a car with her parents when a gunman opens fire, hitting her mother and causing her father to careen off the road into a pond. Before Therese can free herself from the submerged car, she watches helplessly as both her parents die. Pohler’s (The Mystery Box, 2012, etc.) description of their deaths is gruesomely clear and heartbreaking. While Therese is still in a coma following the accident, she travels through the dream world and meets two alluring young men, Hypnos, or Hip, and Thanatos, or Than, twin sons of Hades. Hip is a cad—he says things like “Are we going to make out now, or what?”—while Than is quiet and sensitive. Than, whose job is to eternally guide the souls of the dead to the entrance of the underworld, is immediately drawn to Therese. After this fast and eventful introduction, things slow down—way, way down. Than makes a deal with his father: 40 days among humans to try to make Therese his bride, with some stiff and arbitrary conditions attached; these are Greek gods, after all. As Than and Therese flirt with one another, the story plods along with unnecessary subplots and minor characters, as well as turgid descriptions of everyday actions. Things pick up again about two-thirds of the way through: The entire pantheon of Greek gods picks sides, and, in an arena battle sure to thrill Hunger Games fans, Therese shows her mettle. The outcome neatly tees things up for the three books (at least) in the series still to come. But Pohler’s straightforward storytelling might not appeal to many teenagers, and the book’s central metaphor, a dying tree, feels like an afterthought.
Teenage readers might be swept up in the passion between Therese and Than, though the story is unlikely to inflame any sort of literary fervor.Pub Date: Aug. 16, 2012
ISBN: 978-0615685960
Page Count: 384
Publisher: Green Press
Review Posted Online: Jan. 6, 2014
Review Program: Kirkus Indie
BOOK REVIEW
A swift fable about navigating the perils of middle school.
A bossy middle school fashionista feels threatened by the new girl in Saii’s YA novel.
Vanessa Pocker and her friends Chelsea, Adrienne and Katie are the richest of the rich in their Santa Monica, Calif., middle school, and they comprise the Sassy Divas. Vanessa leads the pack and dictates whom the divas are allowed to talk to, what they’re allowed to wear and how they conduct themselves in public. Vanessa is so domineering that it’s a miracle she has any friends at all. Had Saii endowed her with an ounce of kindness, the loyalty of her minions might be more understandable. Vanessa’s militant nature finally alienates Katie, the diva who is too much of a bookworm, according to Vanessa. Katie befriends Flo, who’s on the Sassy Diva “do not speak to” list (Flo had once refused to hold Vanessa’s purse). Excommunicated from the Sassy Divas, Katie befriends the new girl at the school, Quinn. This infuriates Vanessa, and she declares war. A power play ensues among the adversarial lip-glossed sets, with Vanessa, Chelsea and Adrienne on one side and Katie, Quinn and Flo on the other. Vanessa turns to guy friend Ryan, who offers the only voice of reason when he admonishes her for obsessing over trivialities, such as revenge and makeovers, when there are starving children in the world. He seems to be nothing more than Vanessa’s sounding board, and it’s unclear what he gets out of the relationship. At least Vanessa buys clothes and makeup for her divas, on occasion. Mired in trendy youngster lingo, Saii’s tale accurately depicts girls’ power plays and the alienation that can result from simply owning jeans without a designer label. Fashion, gossip, popularity and shopping define these characters, and any threat of competition is cause for war. Vanessa’s parents rarely make appearances, except for a poignant scene when Vanessa’s mother engages her daughter in a heart-to-heart about her selfish behavior. It’s a relief to finally hear the mother speak and lead the story to an ending marked with humor and depth. Saii’s literary chops are inconsistently displayed and improve toward the conclusion. Although the average middle school girl may not wear Jimmy Choos or form private elitist groups, young readers might find themselves curious about these affluent trendsetters. At least Vanessa learns her lesson, which raises the novel a notch above teenybopper fluff.
A swift fable about navigating the perils of middle school.Pub Date: March 1, 2013
ISBN: 9781937675080
Page Count: 155
Publisher: Lekha Publishers
Review Posted Online: March 4, 2013
Review Program: Kirkus Indie
An intriguing, if not always emotionally engaging, story of a serious teen problem.
Somers’ debut young-adult novel follows a teenage boy from sickness to tenuous health as he battles an eating disorder and the problems that helped create it.
Nathan is a typical teen with typical problems, including an unhappy family life and romantic disappointment, but he’s got an unhealthy “solution” for dealing with them: starving and purging himself. His descent into bulimia and anorexia occurs quite quickly; it starts with Nathan taking short bike rides to get away from his domineering father and alcoholic mother, and soon he’s inducing vomiting; not long afterward, he’s admitted to an eating-disorder program, at which point the book seems to find its center. Nathan is the only boy in his unit, a fact that his status-obsessed parents find it hard to understand; in fact, as the book makes clear, boys make up 10 percent of those who suffer from eating disorders. Somers’ novel never falls into “after-school special” territory, but it has a clear message. Nathan is depicted as a smart, cynical teenager, but his trials are sometimes more informative than heart-wrenching. The short chapters, complete with bad teenage poetry, keep the story moving, and Nathan’s dad, mom and nurse all get at least one chance to tell their side of the story. But although these multiple points of view are interesting, they may distract readers from Nathan’s personal trials. Also, the novel sometimes gets bogged down in eating-disorder program protocol; for example, a plan to interrupt Nathan’s family therapy takes two pages of emails, rather than a line or two of dialogue.
An intriguing, if not always emotionally engaging, story of a serious teen problem.Pub Date: Nov. 12, 2012
ISBN: 978-0988367203
Page Count: 256
Publisher: Rundy Hill Press LLC
Review Posted Online: April 30, 2013
Review Program: Kirkus Indie
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