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THE SECRETS OF THE NOTEBOOK

A WOMAN'S QUEST TO UNCOVER HER ROYAL FAMILY SECRET

A mostly pedestrian treatment of an intriguing topic.

A German Jewish woman’s story of how an heirloom family notebook led to the discovery of her connection to a forgotten hero of the Napoleonic wars.

World War II had just begun when Haas’ father decided to show her a notebook he told her had belonged to his great-grandfather Prince Augustus of Prussia but had been written by Augustus’ daughter, Charlotte. The 16-year-old Haas was full of questions; her father warned her against looking for more information because “there [was] nothing more to find out.” The book finally came into her hands 30 years later, igniting her old curiosity. She had to find out how “this romantic sounding prince [had come] to be with a Jewish tailor’s daughter” named Emilie. Haas began an odyssey that would take her from her home in London to archives in East Germany that no one from the West had entered in more than 40 years. The information she found not only offered exciting glimpses into a bygone world, but also revealed that Augustus was a social progressive who supported Jews during a time of fierce anti-Semitism. Haas also discovered that Emilie was neither Jewish nor poor and that Augustus was under royal edict to leave behind no legitimate heirs. After his death, Emilie deliberately entrusted Charlotte to Augustus’ tailor so that the child would remain safe from possible assassination. The twists and turns Haas discovered in her family’s past mirrored her actual journey and included a bizarre offer to spy for the East German government in exchange for microfilmed copies of archive documents. The author’s enthusiasm for probing the secrets of Augustus’ notebook is evident throughout the narrative, but she does not always plumb the complexity of her own feelings toward the journey, which took her to places with often painful associations.

A mostly pedestrian treatment of an intriguing topic.

Pub Date: Oct. 1, 2013

ISBN: 978-1-61145-906-7

Page Count: 320

Publisher: Arcade

Review Posted Online: July 29, 2013

Kirkus Reviews Issue: Aug. 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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