Somewhat subtle but undeniably disquieting.
An elderly man in search of his missing granddaughter travels to a bizarre town.
The latest book from Colombian author Rosero to be published in English is a novella, spanning fewer than 100 pages—but it packs in a whole lot of dread and horror. The story opens with 70-year-old Jeremías Andrade being shown his room by a hotel landlady; it’s “a sort of coffin” adorned only by “a single, lopsided painting: the face of Jesus Christ, pale and bloodied, with one eye faded by the damp. Exactly like Christ winking at you.” The landlady warns him to “beware of the nightmares,” and her ominous statement proves prescient. The Andean town seems cursed, blanketed in mist and covered with mouse carcasses. Jeremías encounters a variety of townspeople, mostly unfriendly, including a child kicking what appears to be the severed head of an old woman and a blind woman who says, “Those disgusting mice come from every corner of the globe to die here, this is the town of mice, the only town on Earth where all the world’s mice come to die, the only one. Have you come here to die as well?” Jeremías eventually reveals that he’s come in search of his missing 9-year-old granddaughter, Rosaura; he’s advised to look for her in “the losing place”: “Do not call out to one who cannot hear you. Go and look for her in silence.” Rosero’s prose, as translated by McLean and Meadowcroft, is straightforward and unshowy, which renders the undercurrent of horror all the more effective. His portrait of a town without pity, populated by residents who range from odd to demonic, is excellent, while the dialogue is unexpected and, at times, terrifying. This is an unrelentingly dark book; readers with a taste for the unsettling will find much to admire.
Somewhat subtle but undeniably disquieting.Pub Date: March 5, 2024
ISBN: 9780811238076
Page Count: 96
Publisher: New Directions
Review Posted Online: Nov. 18, 2023
Kirkus Reviews Issue: Dec. 15, 2023
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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