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WAY FAR AWAY

Somewhat subtle but undeniably disquieting.

An elderly man in search of his missing granddaughter travels to a bizarre town.

The latest book from Colombian author Rosero to be published in English is a novella, spanning fewer than 100 pages—but it packs in a whole lot of dread and horror. The story opens with 70-year-old Jeremías Andrade being shown his room by a hotel landlady; it’s “a sort of coffin” adorned only by “a single, lopsided painting: the face of Jesus Christ, pale and bloodied, with one eye faded by the damp. Exactly like Christ winking at you.” The landlady warns him to “beware of the nightmares,” and her ominous statement proves prescient. The Andean town seems cursed, blanketed in mist and covered with mouse carcasses. Jeremías encounters a variety of townspeople, mostly unfriendly, including a child kicking what appears to be the severed head of an old woman and a blind woman who says, “Those disgusting mice come from every corner of the globe to die here, this is the town of mice, the only town on Earth where all the world’s mice come to die, the only one. Have you come here to die as well?” Jeremías eventually reveals that he’s come in search of his missing 9-year-old granddaughter, Rosaura; he’s advised to look for her in “the losing place”: “Do not call out to one who cannot hear you. Go and look for her in silence.” Rosero’s prose, as translated by McLean and Meadowcroft, is straightforward and unshowy, which renders the undercurrent of horror all the more effective. His portrait of a town without pity, populated by residents who range from odd to demonic, is excellent, while the dialogue is unexpected and, at times, terrifying. This is an unrelentingly dark book; readers with a taste for the unsettling will find much to admire.

Somewhat subtle but undeniably disquieting.

Pub Date: March 5, 2024

ISBN: 9780811238076

Page Count: 96

Publisher: New Directions

Review Posted Online: Nov. 18, 2023

Kirkus Reviews Issue: Dec. 15, 2023

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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THE UNRAVELING OF JULIA

The mystery plot and the Italian idyl both play supporting roles in this fairy tale for grownups.

Scottoline’s latest links her great love of Italy with her long record of female-centered crime fiction.

Julia Pritzker has a presentiment that something terrible is around the corner, but she never imagines just how terrible: When her husband, Philadelphia attorney Mike Shallette, tries to protect her from a man who grabs her designer bag, he gets stabbed to death before her eyes. Julia’s grief becomes laced with guilt when she realizes that her daily horoscope had predicted a calamity she’s now convinced she could have prevented. The news from Italian attorney Massimiliano Lombardi that his late client has left her millions in cash and an estate worth nearly as much again doesn’t comfort her, but it does provide distraction—especially since she’s never heard of Emilia Rossi and has no idea why she’s been chosen as her heir. Since Julia, adopted at an early age by a couple who’ve been dead for years, wonders if Emilia might have been her biological grandmother, she travels to Chianti in hope of recovering some of Emilia’s DNA. Unfortunately, caretakers Anna Mattia Vesta and Piero Fano have burned all of Emilia’s clothing and personal items on her orders, so there’s nothing left to test. Growing convinced that the stars are directing her and that her history is rooted in Emilia’s decrepit house, Julia turns down repeated offers for the property and resolves to secure evidence confirming the relationship between Emilia and her. Now all she has to do is protect herself from the shadowy figures tracking and following her and recover from a series of vivid, hallucinatory nightmares that seem to be the cost of claiming her heritage.

The mystery plot and the Italian idyl both play supporting roles in this fairy tale for grownups.

Pub Date: July 15, 2025

ISBN: 9781538769997

Page Count: 400

Publisher: Grand Central Publishing

Review Posted Online: May 16, 2025

Kirkus Reviews Issue: June 15, 2025

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