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THE WORLD ACCORDING TO JOAN DIDION

An appreciative portrait of an iconic author.

A biography of a significant American writer.

“Most of us have a Joan Didion origin story: the article, or book, or photograph, or quote that first made us want to know more about this quiet oracle,” writes journalist McDonnell, author of Mamarama and Women Who Rock. When the author was in college, she read Didion’s essay “Some Dreamers of the Golden Dream,” which asked what happened to the American dream, “the theme of much of [her] work.” Thus was born a lifelong appreciation for one of America’s most noteworthy stylists. McDonnell covers all the relevant biographical details: Didion’s Sacramento childhood; her early years writing for New York magazines; and her family life, which included the tragedy of adopted daughter Quintana Roo, who died at age 39 in 2005 (the subject of Didion’s Blue Nights). The author also offers personal reflections on Didion’s importance to her life and career as well as interviews with people who knew her, including Calvin Trillin and Gay Talese and nephew Griffin Dunne. Admirably, McDonnell notes that Didion was a more complicated figure than many of her fans acknowledge. She grew up in “deep American conservatism,” “never lost her distrust of big government,” and voted for Barry Goldwater in 1964. She had a habit of “glamorizing consumption,” which her early stint at Vogue underscored. Also, “when it comes to being an icon for women, Joan Didion can be deeply problematic,” starting with her “mean-spirited attack on second-wave feminism,” which “revealed her blindered privilege”—although she would moderate these opinions in later works. Overall, McDonnell offers a thoughtful assessment of Didion’s importance but doesn’t shy away from Didion’s flaws—e.g., that she struggled with motherhood. During her childhood, Quintana Roo “made a list of her mother’s favorite sayings: ‘Brush your teeth, brush your hair, shush I’m working.’ ”

An appreciative portrait of an iconic author.

Pub Date: Sept. 26, 2023

ISBN: 9780063289079

Page Count: 224

Publisher: HarperOne

Review Posted Online: May 13, 2023

Kirkus Reviews Issue: June 15, 2023

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I'M GLAD MY MOM DIED

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 30, 2022

Kirkus Reviews Issue: July 1, 2022

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  • National Book Award Winner


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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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