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A LITTLE ORDER

SELECTED JOURNALISM

A small, judicious selection of Waugh's journalistic pieces, 1917-1964—only a pendant to the recently-published diaries and letters, perhaps, but a display of the author's range without his excesses. Under "Myself" are the youthful, impudent pieces (mocking "the plague of 'good taste,'" satirizing the course of literary careers—but asking, already, "Why Glorify Youth?") and the late laments ("Why Hollywood Is a Term of Disparagement," "I See Nothing But Boredom. . . Everywhere"). The "Aesthete" brings some of Waugh's keenest observation—of social and cultural modes—and his most evocative descriptions; surveying the monuments of "our Augustan age of architecture," he conjures up "A lovely house where an aged colonel plays wireless music to an obese retriever." The "Man of Letters" finds him analyzing Henry Green's Living, paying witty tribute to Osbert Sitwell, celebrating the "unique" career of Alfred Duggar, and writing about Max Beerbohm with elegance and tact. The pieces that represent Waugh the "Conservative" demonstrate his perturbations—a denunciation of a visit by Tito, the observation that "In general a man is best fitted to the tasks he has seen his father perform"—without bombast. And Gallagher's introduction to the "Catholic" writings puts Waugh's Faith in sympathetic perspective—as do the writings chosen: "Come Inside," his own undogmatic account of how he became a Catholic; "Edith Stein," a meticulous, restrained account of a convert. Throughout, there is evidence of Waugh's sense of structure and awareness of style, his enthusiasms as well as his prejudices. Whereas the diaries and letters may put off readers, this is more likely to encourage them to explore further.

Pub Date: Jan. 15, 1980

ISBN: 0141182938

Page Count: 192

Publisher: Little, Brown

Review Posted Online: April 11, 2012

Kirkus Reviews Issue: Jan. 1, 1980

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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