In what he describes as “discontinuous, impressionistic renderings of some scenes from a man’s life,” the author brings himself into focus through writing about others. Gonzalez-Crussi, a pathologist and head of laboratories at Children’s Memorial Hospital in Chicago (Suspended Animation, 1995, etc.) has a flair for the unusual word (“nimiety,” “murine,” etc.) and the unexpected connection, moving with facility and grace from the personal to the universal. He’s both eloquent and humble on the nature of memory, segueing into discussions of Saint Augustine and the difficulties of love. He describes his father, a failed speculator and alcoholic, and his middle-class family, which lost all it had. The central chapters of the book detail his mother’s tiny street- corner pharmacy beneath the family’s barrio household in Mexico City. Into this tale the author weaves the story of one Ubaldo and his unconsummated infatuation with Marisela, the grocer’s daughter; the author says of Ubaldo, attributing the line to a commentator on Duchamp, that he was the great master of the uncompleted work. In emphasizing the one death that has long haunted him, that of a family friend who, searching for Gonzalez-Crussi’s father during one of his frequent disappearances, was accidentally shot dead upon entering a tavern, the author hints at a belief in perfection beyond an imperfect world. Of his Mexico City medical training, he mentions the stories of classmate Hector Duran, who became infatuated with a whore. Here Gonzalez-Crussi takes Titian’s painting The Two Venuses as a starting point for an extended tale of obsessive sexual love. Says the author, “The ÇmigrÇ and the dead share features in common,” citing by way of proof a French proverb: ‘To leave is to die a little.” For both, he says, “there is another world, an —elsewhere.’ ” Humane writings of enduring value from a physician/author whose work deserves a wide audience.
Pub Date: Sept. 28, 1998
ISBN: 1-57322-117-1
Page Count: 224
Publisher: Riverhead
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1998
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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