A small-town mystery exploring queer teen relationships.
Four high school seniors find their lives intertwined.
Seventeen-year-old Casey keeps her head down and works hard, like her grandpa tells her to. She is excited to finish her last year at River City High and become a Mississippi tugboat captain—maybe even the first Black woman to do so. Her singular focus is broken, however, when a drunk trucker interrupts her shift at the Wise Owl Café: Larry Dale confesses to an accident involving Trevor and Steve, two of Casey’s River City classmates who are fellow Sky Court apartment residents. After hitting the car they were in, Larry found the boys partially undressed inside it and then took off. The accident could expose their relationship before they are ready. New Sky Court neighbor and classmate Rowena, who spent a semester in France, is good friends with Steve’s girlfriend—but lately she’s been interested in getting to know Casey better. Against the backdrop of these precarious personal relationships, Larry’s 7-year-old daughter goes missing. Casey joins the search, stumbling upon more than she bargained for. Mosley’s debut is ambitious, grappling with themes such as sexuality, family, and displacement. Though the novel is stretched thin as it explores each storyline, the characters are fairly well fleshed out by the economical, slightly flat prose. Casey’s lesbian identity is understood and accepted by her grandpa and is refreshingly not a source of conflict. Steve is Black; other main characters are White.
A small-town mystery exploring queer teen relationships. (Fiction. 14-18)Pub Date: Nov. 1, 2022
ISBN: 978-1-953639-14-1
Page Count: 210
Publisher: Circuit Breaker Books
Review Posted Online: Oct. 10, 2022
Kirkus Reviews Issue: Nov. 1, 2022
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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