Scholarship and memoir meld in a stimulating collection.
A Black feminist perspective on the arts, politics, and race.
Griffin, a 2021 Guggenheim fellow and professor of African American literature at Columbia, gathers essays, written over the past 30 years, that cohere to reveal her evolution as an insightful cultural critic and historian. The book’s title alludes to Alice Walker’s In Search of Our Mother’s Gardens: Womanist Prose, published in 1983, which Griffin read as a college student and which, she writes, “helped me to identify my intellectual calling” and inspired her appreciation of the essay as a literary form. Also deeply influential was Toni Morrison, whose works shaped her understanding “of history, narrative, power, domination, and language.” From Morrison’s work, Griffin came to understand that “mobility and migration were the dominant tropes of Black life in the modern world.” Among many essays on music, Griffin considers Miles Davis, Billie Holiday, and three performers of the 1970s—Minnie Riperton, Syreeta Wright, and Deniece Williams—whose “ethereal, introspective, angelic voices” pointed to “a sense of healing and possibility.” Griffin also examines the cultural significance of Black women singers, such as Marian Anderson and Aretha Franklin, who have performed before audiences on momentous occasions—presidential inaugurations, the aftermath of disasters—“when the nation is trying to present an image of itself to itself and to the world.” Beyoncé falls into that category, singing the Etta James classic “At Last” at a ball celebrating the election of Barack Obama. That performance, and the election itself, inspires Griffin’s perceptive analysis of the relationship of Michelle Obama and Beyoncé to America’s racial history. Other essays include reflections on teaching online during the pandemic; the consequences of book banning; Hurricane Katrina, which exacerbated the “instability, insecurity, and disruption” that have blighted Black history; and the way difference has been “inscribed on the bodies of Black women.”
Scholarship and memoir meld in a stimulating collection.Pub Date: March 28, 2023
ISBN: 9780393355772
Page Count: 320
Publisher: Norton
Review Posted Online: Jan. 11, 2023
Kirkus Reviews Issue: Feb. 1, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.
Words that made a nation.
Isaacson is known for expansive biographies of great thinkers (and Elon Musk), but here he pens a succinct, stimulating commentary on the Founding Fathers’ ode to “life, liberty, and the pursuit of happiness.” His close reading of the Declaration of Independence’s second sentence, published to mark the 250th anniversary of the document’s adoption, doesn’t downplay its “moral contradiction.” Thomas Jefferson enslaved hundreds of people yet called slavery “a cruel war against human nature” in his first draft of the Declaration. All but 15 of the document’s 56 signers owned enslaved people. While the sentence in question asserted “all men are created equal” and possess “unalienable rights,” the Founders “consciously and intentionally” excluded women, Native Americans, and enslaved people. And yet the sentence is powerful, Isaacson writes, because it names a young nation’s “aspirations.” He mounts a solid defense of what ought to be shared goals, among them economic fairness, “moral compassion,” and a willingness to compromise. “Democracy depends on this,” he writes. Isaacson is excellent when explaining how Enlightenment intellectuals abroad influenced the founders. Benjamin Franklin, one of the Declaration’s “five-person drafting committee,” stayed in David Hume’s home for a month in the early 1770s, “discussing ideas of natural rights” with the Scottish philosopher. Also strong is Isaacson’s discussion of the “edits and tweaks” made to Jefferson’s draft. As recommended by Franklin and others, the changes were substantial, leaving Jefferson “distraught.” Franklin, who emerges as the book’s hero, helped establish municipal services, founded a library, and encouraged religious diversity—the kind of civic-mindedness that we could use more of today, Isaacson reminds us.
A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.Pub Date: Nov. 18, 2025
ISBN: 9781982181314
Page Count: 80
Publisher: Simon & Schuster
Review Posted Online: Aug. 29, 2025
Kirkus Reviews Issue: Oct. 1, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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