Young activists set an example for their community in this accessible adventure that conveys both humor and pathos.
The Freezies, three determined social outcasts, try to help a quiet man in need.
Kai, Leo, and Suleikha (who goes by “Sully”) live in an English village. Some locals, who wish to keep away “squatters and travellers,” quickly become outraged when an unfamiliar van towing a trailer shows up on the common. The driver, Mr. Christaki, plays the violin beautifully. When a small mob of residents recruits the police to evict him, Leo’s parents, a lawyer and a barrister, instead invite Mr. Christaki to relocate to their property and hire him to teach Leo violin. Following the winter holidays, Mr. Christaki returns from a trip to London with a 4-year-old girl, and he’s suspiciously vague about her parents’ whereabouts and how long she’ll be staying. Then one day, the van, trailer, and both inhabitants are gone. In alternating points of view, the young narrators recount these events—including a revelation about Mr. Christaki’s identity—with delightful frankness. Leo, who reads white; Kai, who has Jamaican and Polish heritage; and Sully, who is of Indian descent, are by turns unintentionally amusing (“We don’t play. We hang out or chill”) and trenchant in their observations (“Parents don’t know how hard it is to make friends and keep them”). The trio, who share strong convictions about standing up for others, also learn about trade unions, asylum law, and xenophobia over the course of the story.
Young activists set an example for their community in this accessible adventure that conveys both humor and pathos. (Fiction. 12-16)Pub Date: June 1, 2024
ISBN: 9781990598272
Page Count: 144
Publisher: Tradewind Books
Review Posted Online: May 4, 2024
Kirkus Reviews Issue: June 1, 2024
BOOK REVIEW
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice.
A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.
Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)Pub Date: Jan. 8, 2019
ISBN: 978-0-06-282411-0
Page Count: 384
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
BOOK REVIEW
Heartbreaking, historical, and a little bit hopeful.
January 1945: as Russians advance through East Prussia, four teens’ lives converge in hopes of escape.
Returning to the successful formula of her highly lauded debut, Between Shades of Gray (2011), Sepetys combines research (described in extensive backmatter) with well-crafted fiction to bring to life another little-known story: the sinking (from Soviet torpedoes) of the German ship Wilhelm Gustloff. Told in four alternating voices—Lithuanian nurse Joana, Polish Emilia, Prussian forger Florian, and German soldier Alfred—with often contemporary cadences, this stints on neither history nor fiction. The three sympathetic refugees and their motley companions (especially an orphaned boy and an elderly shoemaker) make it clear that while the Gustloff was a German ship full of German civilians and soldiers during World War II, its sinking was still a tragedy. Only Alfred, stationed on the Gustloff, lacks sympathy; almost a caricature, he is self-delusional, unlikable, a Hitler worshiper. As a vehicle for exposition, however, and a reminder of Germany’s role in the war, he serves an invaluable purpose that almost makes up for the mustache-twirling quality of his petty villainy. The inevitability of the ending (including the loss of several characters) doesn’t change its poignancy, and the short chapters and slowly revealed back stories for each character guarantee the pages keep turning.
Heartbreaking, historical, and a little bit hopeful. (author’s note, research and sources, maps) (Historical fiction. 12-16)Pub Date: Feb. 2, 2016
ISBN: 978-0-399-16030-1
Page Count: 400
Publisher: Philomel
Review Posted Online: Nov. 2, 2015
Kirkus Reviews Issue: Nov. 15, 2015
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