Personally driven, historically necessary, and politically salient.
Two Iranian journalists chronicle protests against Iran’s oppressive Islamic Republic, and the regime’s repressive reaction.
Jamalpour’s and Tabrizy’s primary lens is the “Woman, Life, Freedom” movement, which sprang up forcefully following the 2022 killing of Mahsa Jîna Amini by Tehran’s morality police for her refusal to wear a hijab. While Iran’s decades-long transition from monarchy to democracy to theocratic autocracy has led to numerous revolutionary efforts and calls for reform, this movement has been notable in its widespread multiethnic support and engagement of Gen Z. In this collaboration, the authors bear witness to atrocities that have been pitifully underreported, oversimplified, and misunderstood by international media, and they situate the demands of the “sixth generation of Iranian feminists” within the longer tradition of activism in their country. Jamalpour reports firsthand from the streets of Tehran, cataloging daily protest gatherings along with the humiliations, detainments, and arrests of her and her fellow protestors. Tabrizy’s coverage comes from the offices of the New York Times and Washington Post, where she is determined to counter disinformation in, from, and about her homeland. Jamalpour’s nail-biting account of her protest attendance—told in straightforward prose—weaves with Jamalpour's efforts to verify visuals and collect testimony from Tabrizy's physically safe but emotionally fraught position within the diaspora. Both authors demonstrate deep love for their country and its diverse makeup and shed light on the tug of war between cultural expansion and contraction that has defined turbulent years of political conflict and economic desperation. Their respect for the nature and power of journalism in situations of conflict and oppression strengthens their storytelling resolve. In a project undertaken at great personal risk, the authors’ compiled historical context, frank personal reflection, and conscientious recordkeeping constitute a critically important “first rough draft” of a significant moment being ignored in real time.
Personally driven, historically necessary, and politically salient.Pub Date: Sept. 16, 2025
ISBN: 9780593701447
Page Count: 320
Publisher: Pantheon
Review Posted Online: May 28, 2025
Kirkus Reviews Issue: July 1, 2025
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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