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FOR THE SUN AFTER LONG NIGHTS

THE STORY OF IRAN'S WOMEN-LED UPRISING

Personally driven, historically necessary, and politically salient.

Two Iranian journalists chronicle protests against Iran’s oppressive Islamic Republic, and the regime’s repressive reaction.

Jamalpour’s and Tabrizy’s primary lens is the “Woman, Life, Freedom” movement, which sprang up forcefully following the 2022 killing of Mahsa Jîna Amini by Tehran’s morality police for her refusal to wear a hijab. While Iran’s decades-long transition from monarchy to democracy to theocratic autocracy has led to numerous revolutionary efforts and calls for reform, this movement has been notable in its widespread multiethnic support and engagement of Gen Z. In this collaboration, the authors bear witness to atrocities that have been pitifully underreported, oversimplified, and misunderstood by international media, and they situate the demands of the “sixth generation of Iranian feminists” within the longer tradition of activism in their country. Jamalpour reports firsthand from the streets of Tehran, cataloging daily protest gatherings along with the humiliations, detainments, and arrests of her and her fellow protestors. Tabrizy’s coverage comes from the offices of the New York Times and Washington Post, where she is determined to counter disinformation in, from, and about her homeland. Jamalpour’s nail-biting account of her protest attendance—told in straightforward prose—weaves with Jamalpour's efforts to verify visuals and collect testimony from Tabrizy's physically safe but emotionally fraught position within the diaspora. Both authors demonstrate deep love for their country and its diverse makeup and shed light on the tug of war between cultural expansion and contraction that has defined turbulent years of political conflict and economic desperation. Their respect for the nature and power of journalism in situations of conflict and oppression strengthens their storytelling resolve. In a project undertaken at great personal risk, the authors’ compiled historical context, frank personal reflection, and conscientious recordkeeping constitute a critically important “first rough draft” of a significant moment being ignored in real time.

Personally driven, historically necessary, and politically salient.

Pub Date: Sept. 16, 2025

ISBN: 9780593701447

Page Count: 320

Publisher: Pantheon

Review Posted Online: May 28, 2025

Kirkus Reviews Issue: July 1, 2025

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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ONE DAY, EVERYONE WILL HAVE ALWAYS BEEN AGAINST THIS

A philosophically rich critique of state violence and mass apathy.

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An Egyptian Canadian journalist writes searchingly of this time of war.

“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-­decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”

A philosophically rich critique of state violence and mass apathy.

Pub Date: Feb. 25, 2025

ISBN: 9780593804148

Page Count: 224

Publisher: Knopf

Review Posted Online: Dec. 14, 2024

Kirkus Reviews Issue: Jan. 15, 2025

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