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THE RUNAWAYS

An astute and searing take on anomie and radicalization.

Bhutto’s second novel explores Islamist extremism and its roots in class divides through the stories of young people.

The narration of this novel switches among the points of view of three characters representing different socio-economic groups. Anita Rose lives in a Karachi slum with her mother, Zenobia, and brother, Ezra. The family subsists on Zenobia’s earnings as a masseuse until Ezra advances their lot through what all evidence points to as organized crime. Anita befriends Osama, an elderly neighbor, who imparts to her an enthusiasm for leftist ideology and Urdu poetry. First seen at his family’s London pied-à-terre, Monty is the cosseted son of a Karachi real estate mogul. British-born Sunny, ne Salman, has disappointed his middle-class father’s expectations for him in Portsmouth, England, where “Pa” had immigrated from his native Lucknow with high hopes of seamless assimilation. Now, instead of pursuing a business degree, Sunny falls under the spell of his charismatic cousin Oz, recently returned from a jihadi camp in Syria. These are all, in a sense, narratives of exile and renunciation, and their poignancy is deepened by the characters’ inner struggles. At 17, Anita has reinvented herself—at the elite private school she attends, thanks to Ezra—as the ineffably cool “Layla.” Her romance with her classmate Monty, who adores her, is overshadowed by his privilege. Layla will become a jihadi influencer whose videos inspire adherents of the ISIS-like Ummah Movement. Her transition from promising student to outlaw is linked—we won’t immediately learn how—to a fateful trip to Dubai at Ezra’s behest. Sunny forswears his passion for music to join Ummah in Mosul, and he and Monty, who has joined to search for Layla, are sent on a mission. Their internet access, even on a trek across the desert, proves to be more curse than blessing. In fact, social media exposures—some a little too conveniently timed—are a major driver of plot twists here.

An astute and searing take on anomie and radicalization.

Pub Date: Aug. 18, 2020

ISBN: 978-1-83976-034-1

Page Count: 432

Publisher: Verso

Review Posted Online: June 2, 2020

Kirkus Reviews Issue: June 15, 2020

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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  • New York Times Bestseller

Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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