adapted by Fawzia Gilani-Williams ; illustrated by Chiara Fedele ‧ RELEASE DATE: April 1, 2017
A subtle, visually arresting introduction to ethnic relations.
In this retelling of a tale rooted in both Jewish and Arab traditions, two neighbors are friends despite perceived religious tensions of the community.
Yaffa and Fatima both own date groves right next door to each other. They share meals and talk and laugh. When Fatima sees Yaffa on the street, she waves and calls, “Salaam! Peace!” Yaffa waves back and calls, “Shalom! Peace!” The text becomes a list of differences between the two women. Yaffa prays in a synagogue. Fatima prays in a mosque. Fatima celebrates Eid. Yaffa celebrates Passover. Fatima is clad in a burgundy hijab, while Jaffa has a deep teal headscarf. Those two colors, set against a neutral backdrop, lightly accent the women’s everyday surroundings as well. The tones are carefully placed to distinguish the two women but are also included in ancillary details to begin to build a feeling of unity. Gilani-Williams never distinctly references any conflict—in fact, even the Israeli setting is not specifically mentioned, only to call it the “Land of Milk and Honey.” But readers can tell, because differences very much define the women’s relationship, that they are overcoming some sort of obstacle in being friends.
A subtle, visually arresting introduction to ethnic relations. (author’s note) (Picture book. 4-8)Pub Date: April 1, 2017
ISBN: 978-1-4677-8938-7
Page Count: 24
Publisher: Kar-Ben
Review Posted Online: Feb. 3, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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by Mark Batterson & Summer Batterson Dailey ; illustrated by Benedetta Capriotti ‧ RELEASE DATE: Sept. 8, 2020
Though the rhyme tumbles and at times bumbles, enticing imagery will lure readers in.
Rhyming text and colorful multicultural illustrations reassure young readers of God’s omnipresence and still small voice.
“Where in the world is God’s voice found?” Perhaps in ocean waves, bird song, or mountain vistas, suggest the couplet rhymes. Even when readers might be faced with difficult emotions and distractions of all kinds, the text reassures them that God is still there and still speaking, if only one pauses to listen. His voice can be found in nature, in starlight, in the love of family and friends, in dreams, and “through His Word.” Admirably, the bright illustrations, reminiscent of mid-20th-century Disney artist Mary Blair’s stylings, depict children and families with a diverse array of skin tones and ages. There is also a refreshing mix of urban, suburban, and rural settings. Yet, despite the appealing illustrations, the rhymes and scansion are often forced (“your feelings, they matter, / even if they’re all mixed up like / pancake batter”), which detracts from the overall message. Contrived couplets notwithstanding, this title will likely find an audience among Christian households seeking reassuring bedtime reads.
Though the rhyme tumbles and at times bumbles, enticing imagery will lure readers in. (Picture book. 4-6)Pub Date: Sept. 8, 2020
ISBN: 978-0-525-65385-1
Page Count: 40
Publisher: WaterBrook
Review Posted Online: June 29, 2020
Kirkus Reviews Issue: July 15, 2020
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by Brynne Barnes & illustrated by Annika M. Nelson ‧ RELEASE DATE: Sept. 1, 2011
The book has its heart in the right place, but its mind is too clearly focused on adult agendas and preoccupations.
Barnes’ earnest, rather oblique text interrogating the use of colors as labels for people is at odds with its playful, naive collage art.
The clunky opening line reads, “I’m just a kid coloring the world in the pictures I drew. I look in my crayon box to see which one I’d be…I wonder if kids are colors too,” propelling readers into a lengthy rumination on whether elements of the natural world “see” a child as a color. “Am I a color to the sky? Am I a color in my dreams? Am I a color to the moon? Am I a color to the sea?” The ideological slant declares color an inadequate and limiting description or category for a human being. While a laudable message, it seems a rather abstract one for the intended child audience, though Nelson’s accompanying, playful and, yes, colorful, collage illustrations seem much more in tune with young children’s sensibilities. This title doesn’t measure up to other more developmentally appropriate titles prompting discussion about race, ethnicity and diversity. Let's Talk about Race, by Julius Lester and illustrated by Karen Barbour (2005), and The Skin You Live in, by Michael Tyler and illustrated by David Lee Csicsko (2005), are just two of these.
The book has its heart in the right place, but its mind is too clearly focused on adult agendas and preoccupations. (Picture book. 5-8)Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-541-8
Page Count: 28
Publisher: Sleeping Bear Press
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: Aug. 15, 2011
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