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COLUMBUS

Tart, well-researched, critical biography by Fernandez-Armesto (The Spanish Armada, 1988, etc.). There's not much affinity between writer and subject here. It's as if to Fernandez-Armesto the achievements of autodidact Columbus are simply not acceptable: ``...characteristic intellectual shortcomings of the self-educated...always made silly or risible errors.'' Columbus, the author tells us, was of ordinary lineage and could be coy about his background; sometimes he even lied. When the underqualified Columbus finally gets his backing, the author allows that he might be ``even perhaps charismatic.'' But Fernandez-Armesto never lets him off the hook, even at the end of his last voyage (and career and life): ``As always in adversity, the old syndrome flowed forth from Columbus's distraught brain....'' When Columbus gives credit to God for his learning, the statement is scrutinized suspiciously—even though it was an age when man gave God a lot of credit. Allowed to speak, Columbus's flowery phrases breathe life into the arid, quarrelsome text: ``Throughout this time I have seen and studied books of every sort- -geography, history, chronicles, philosophy and other arts—whereby our Lord opened my understanding with His manifest hand to the fact that it was practicable to sail from here to the Indies.'' What's missing here is any sense of Columbus as a complete man, a devout adventurer, the leader who still had time for books, who came out of a weaver's shop to teach himself navigation and astronomy. There's not much feeling for those wild times, either, when everyone misbehaved with such unacademic abandon. Lots of trees, no forest.

Pub Date: Oct. 1, 1991

ISBN: 0-19-215898-8

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1991

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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