A philosophically stimulating novel crackling with emotional liveliness.
In Fletcher’s novel, a teenager learns he will die at the age of 27 and struggles to forge meaning in his brief life.
As soon as Daniel Brooker turns 18 years old, he heads to the Department of Designated Dates to find out when he will die of natural causes; in this peculiar alternate reality provocatively conjured by the author, anyone can procure this information (a technological instrument called a “gizmotron” makes this possible) if they so choose. To his astonishment and despair, Daniel finds out that he will die when he is only 27 years old and commences a life of endless dissipation—a “slow descent into fuckuppery.” Like most “shorters,” he forms friends with his own kind: Naomi is a hippie doomed to die at 25 and Brian is a drug dealer whose life will end at 34. Daniel becomes, in the opinion of his father, a “dumbass with no direction,” an addict lost in the haze of drug abuse, though still heroically clinging to some semblance of moral dignity. The author perspicaciously imagines the kind of world that would arise from this grim knowledge, one split between Gnostics—those who believe one should choose not to know, to avoid the terrible psychic cost of such information—and Watersons, religious zealots who believe an early death is a sure sign of moral turpitude and an expression of God’s disfavor. Daniel descends from a family of Gnostics but feels compelled to know his lifespan nevertheless, and that information proves crushing to him, an invitation to see his existence as essentially pointless (a moral predicament intelligently conveyed by Fletcher).
At the heart of this fascinating novel is the moral meaning of one’s mortality. Everyone in this strange world will perish, but those who expect long lives can postpone a wrenching reflection on their finitude. Shorters like Daniel are not afforded such luxury; unable to cope at so young an age with such weighty issues, he devotes himself to chasing oblivion. The allure of knowing, the author makes clear, is overwhelming, but the consequences can be existentially devastating. Fletcher poignantly captures Daniel’s unenviable plight; here, he succumbs to sadness when Naomi dies on schedule: “I felt so insignificant. I am so tired of being alive. The fucking rat race. We’re just a bunch of worthless fucks scraping for meaning in a cold remorseless world. Holding onto each other as we disparate. Searching for meaning where there is none.” This literarily plain, even cliched writing style is maintained throughout the entire novel—the absence of any poetic spark is the principal failing of this otherwise stirring work. The tale is told from Daniel’s perspective, in the first person, and so this ends up working—he sounds just like any wounded young man would, if more intelligent than most. In place of stylized prose, a verisimilitude is impressively achieved. A thoughtful rumination on human mortality is achieved as well, one that cannily investigates the wages of too much knowledge.
A philosophically stimulating novel crackling with emotional liveliness.Pub Date: April 19, 2025
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: March 26, 2025
Review Program: Kirkus Indie
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
A heartbreaking, laugh-provoking, and absolutely Ephron-esque look at the beauty and fragility of everyday life.
A woman faces a health crisis and obsesses over a local accident in this wonderful follow-up to Sandwich (2024).
Newman begins her latest with a quote from Nora Ephron: “Death is a sniper. It strikes people you love, people you like, people you know—it’s everywhere. You could be next. But then you turn out not to be. But then again, you could be.” It sets an appropriate tone for a story that is just as full of death and dread as it is laughter. Two years after the events of Sandwich, Rocky is back home in Western Massachusetts and happily surrounded by family—her daughter, Willa, lives with her and her husband, Nick, while applying to Ph.D. programs; her widowed father, Mort, has moved into the in-law apartment behind their house. When a young man who graduated from high school with Rocky’s son, Jamie, is hit by a train, Rocky finds herself spiraling as she thinks about how close the tragedy came to her own family. She’s also freaking out about a mysterious rash her dermatologist can’t explain. Both instances are tailor-made for internet research and stalking. As Rocky obsessively googles her symptoms and finds only bad news (“Here’s what’s true about the Internet: very infrequently do people log on with their good news. Gosh, they don’t write, I had this weird rash on my forearm? And it turned out to be completely nothing!”), she also compulsively checks the Facebook page of the accident victim’s mother. Newman excels at showing how sorrow and joy coexist in everyday life. She masterfully balances a modern exploration of grief with truly laugh-out-loud lines (one passage about the absurdity of collecting a stool sample and delivering it to the doctor stands out). As Rocky deals with the byzantine frustrations of the medical system, she also has to learn, once more, how to see her children, husband, father, and herself as fully flawed and lovable humans.
A heartbreaking, laugh-provoking, and absolutely Ephron-esque look at the beauty and fragility of everyday life.Pub Date: Oct. 28, 2025
ISBN: 9780063453913
Page Count: 224
Publisher: Harper/HarperCollins
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
PERSPECTIVES
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