by Flora Fraser ‧ RELEASE DATE: Nov. 5, 2015
A difficult task crowned with mixed success.
English biographer Fraser (Pauline Bonaparte: Venus of Empire, 2009, etc.) returns with a portrayal of the relationship of America's first couple.
The author undertakes a daunting task with this book. George was famously reserved, always keeping his personal feelings under tight control, and Martha burned almost all the correspondence between George and herself before her death. For source material, Fraser had to look to correspondence to and between others and to documents such as invoices for furniture and clothing ordered from the business agents for the Washington family. The author has produced a joint biography that wisely avoids the thoroughly familiar ground of Washington's career as a general and president, except insofar as necessary to account for the couple's long absences from Mount Vernon. George's efforts to keep his plantations productive under the care of a series of overseers therefore take center stage, along with his difficulties raising Martha's children from her previous marriage, and then the grandchildren who lived with them. The less familiar Martha appears as a capable, strong-willed, affable, and utterly devoted spouse who buoyed her husband's spirits during the war by enduring long stretches with him in the army's winter quarters—not to mention the eight years spent "more like a state prisoner than anything else" in New York and Philadelphia as first lady. Fraser’s prose flows well with the voices of her 18th-century subjects. However, the impression that emerges from the copious details of plantation management, children's tutoring, and relatives born and dying is of two busy lives on parallel courses; their devotion to each other is clearly evident, but so are several potential sources of sharp conflict between them. Fraser provides no sense of how these shoals were negotiated or how these formidable individuals actually got on with each other when they could be together.
A difficult task crowned with mixed success.Pub Date: Nov. 5, 2015
ISBN: 978-0-307-27278-2
Page Count: 448
Publisher: Knopf
Review Posted Online: June 24, 2015
Kirkus Reviews Issue: July 15, 2015
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by Richard Wright ‧ RELEASE DATE: Feb. 28, 1945
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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