Nuanced and intense, this painstakingly created tale mimics the Escher-like constructions of its villainous Architect,...
This dense and twisty fantasy set in post–World War I Great Britain mixes monstrous creatures, sibling rivalry, a supernatural doppelgänger, family dysfunction and a kidnapping into a complex brew of eerie atmosphere and unexpected events.
Hardinge is a master stylist whose imaginative works resemble one another only in the consistently impressive quality of her writing. Each narrative builds a unique world, and this combination of postwar tristesse and scary magical beings known as Besiders is no different. Evocative descriptions of the parallel settings, sharply drawn characters and fast-paced action pull readers along, though some may occasionally be distracted rather than transported by the heavy use of metaphor. Freakish actions and confusion on the part of the main character set the stage for an unsettling revelation a quarter of the way through that adds even more suspense and challenges readers' ability to empathize. While sisters Triss and Penelope are 11 and 9, the dangers they face and the issues their family grapples with suggest that readers slightly older than the protagonists will be best equipped to sort through the murky motivations, painful betrayals and matter-of-factly presented alternate reality.
Nuanced and intense, this painstakingly created tale mimics the Escher-like constructions of its villainous Architect, fooling the eyes and entangling the emotions of readers willing and able to enter into a world like no other. (Fantasy. 11-14)Pub Date: May 8, 2015
ISBN: 978-1-4197-1480-1
Page Count: 416
Publisher: Amulet/Abrams
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
A trilogy opener both rich and strange, if heavy at the front end.
Riggs spins a gothic tale of strangely gifted children and the monsters that pursue them from a set of eerie, old trick photographs.
The brutal murder of his grandfather and a glimpse of a man with a mouth full of tentacles prompts months of nightmares and psychotherapy for 15-year-old Jacob, followed by a visit to a remote Welsh island where, his grandfather had always claimed, there lived children who could fly, lift boulders and display like weird abilities. The stories turn out to be true—but Jacob discovers that he has unwittingly exposed the sheltered “peculiar spirits” (of which he turns out to be one) and their werefalcon protector to a murderous hollowgast and its shape-changing servant wight. The interspersed photographs—gathered at flea markets and from collectors—nearly all seem to have been created in the late 19th or early 20th centuries and generally feature stone-faced figures, mostly children, in inscrutable costumes and situations. They are seen floating in the air, posing with a disreputable-looking Santa, covered in bees, dressed in rags and kneeling on a bomb, among other surreal images. Though Jacob’s overdeveloped back story gives the tale a slow start, the pictures add an eldritch element from the early going, and along with creepy bad guys, the author tucks in suspenseful chases and splashes of gore as he goes. He also whirls a major storm, flying bullets and a time loop into a wild climax that leaves Jacob poised for the sequel.
A trilogy opener both rich and strange, if heavy at the front end. (Horror/fantasy. 12-14)Pub Date: June 7, 2011
ISBN: 978-1-59474-476-1
Page Count: 234
Publisher: Quirk Books
Review Posted Online: March 30, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Sweet, if unremarkable.
A gentle “Sleeping Beauty”–inspired tale of teens training to defend a baby princess.
Fifteen-year-old Miri, beloved stepdaughter of the king, is freshly in love—with her baby sister. As the novel opens, Aurora’s christening looms, and any Disney fan will know what’s coming. However, this is Miri’s story, and pages of first-person description and exposition come before those events. Tirendell, like all kingdoms, has Light and Dark Fae. Dark Fae feed off human misery and sadness, but their desire to cause harm for self-benefit is tempered by the Rules. The Rules state that they can only act against humans under certain conditions, one being that those who have crossed them, for example, by failing to invite them to a royal christening, are fair game. Miri steps up instinctively at the moment of crisis and both deflects the curse and destroys the Dark Fae, which leads to the bulk of the novel: an extended and detailed day-to-day journey with Miri and her five largely indistinguishable new friends as they train in combat and magic to protect Aurora from future threats. With limited action and a minimal plot, this story lacks wide appeal but is notable for the portrait of deep familial love and respect, while the brief, episodic adventures (including talking animals) offer small pleasures. All characters are implied to be White.
Sweet, if unremarkable. (Fantasy. 12-14)Pub Date: Oct. 5, 2021
ISBN: 978-0-7595-5745-1
Page Count: 368
Publisher: Little, Brown
Review Posted Online: Aug. 17, 2021
Kirkus Reviews Issue: Sept. 1, 2021
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