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GOOD-BYE, 382 SHIN DANG DONG

Though the subject of moving day is a popular theme, the Parks (Where on Earth is My Bagel, 2001, etc.) provide a unique perspective on the experience. Jangmi relates her memories of her move from her Korean home to America when she was eight years old. She wakes to the beginning of the monsoon rains on her roof in her room stripped of all her belongings that her parents have packed in a big brown box marked “Lovely Things.” Her best friend, Kisuni, arrives and at the market they pick out their favorite food for the farewell luncheon that day. They sit under the willow tree and share the chummy, a type of melon, sad to soon be separated. At the luncheon, family and friends “celebrate in a sad way” with traditional foods and Korean songs: “Love, laughter and tears ripple through the house.” Four days later, Jangmi and her parents arrive to begin a new life in Brighton, Massachusetts. As Jangmi arranges her “lovely things” in her own room, all of the neighbors arrive with “plates of curious food” and “something called casseroles.” Jangmi meets a girl called Mary who asks what kind of food Jangmi eats in Korea. When Dad translates the question and Jangmi answers “Chummy,” Mary giggles—just like Kisuni. The parallels of life in Korea and America are smartly conceived, and young readers will immediately identify with Jangmi and her friends. Korean terms, easily recognized in the context, add richness. Choi’s (Earthquake, 2001, etc.) oils on the opposite page of the text are simple and focus on the young girl, though the two countries are distinct in the illustrations. A gentle and loving story perfectly pitched to its audience. (Fiction. 6-9)

Pub Date: Oct. 1, 2002

ISBN: 0-7922-7985-9

Page Count: 32

Publisher: National Geographic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2002

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HELLO, HARVEST MOON

As atmospheric as its companion, Twilight Comes Twice, this tone poem pairs poetically intense writing with luminescent oils featuring widely spaced houses, open lawns, and clumps of autumnal trees, all lit by a huge full moon. Fletcher tracks that moon’s nocturnal path in language rich in metaphor: “With silent slippers / it climbs the night stairs,” “staining earth and sky with a ghostly glow,” lighting up a child’s bedroom, the wings of a small plane, moonflowers, and, ranging further afield, harbor waves and the shells of turtle hatchlings on a beach. Using creamy brushwork and subtly muted colors, Kiesler depicts each landscape, each night creature from Luna moths to a sleepless child and her cat, as well as the great moon sweeping across star-flecked skies, from varied but never vertiginous angles. Closing with moonset, as dawn illuminates the world with a different kind of light, this makes peaceful reading either in season, or on any moonlit night. (Picture book. 6-8)

Pub Date: Sept. 22, 2003

ISBN: 0-618-16451-0

Page Count: 32

Publisher: Clarion Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2003

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THE MAGIC SCHOOL BUS ON THE OCEAN FLOOR

From the Magic School Bus series

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Exuding her usual air of competence, Ms. Frizzle drives the magic school bus to the beach, over the sand, and into the waves to take her wisecracking class on a tour of an intertidal zone, the continental shelf, the deep sea bottom, and a coral reef. Degen's paintings feature plenty of colorful (and unobtrusively labeled) sea life. As always, the pace is breathless, the facts well chosen, the excitement of scientific study neatly evoked, and Ms. Frizzle's wardrobe equal to every extraordinary occasion. At the end, her students assemble a bulletin board chart to summarize their observations and—apparently in response to adult anxieties—Cole closes with a quiz clarifying the difference between fact and fiction in the story. Yes, it's a formula, but a winning one. (Nonfiction. 6-8)

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Pub Date: Sept. 1, 1992

ISBN: 0-590-41430-5

Page Count: 48

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1992

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