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SIX DAYS IN ROME

Upscale escapism as beautiful people in a sensuous city bare and share.

Mourning the end of a relationship by taking—alone—the birthday-celebration vacation booked when she was part of a couple, a 30-something woman reaches a turning point.

In her discursive debut, Giacco introduces a self-absorbed central character whose musings and interactions during the eponymous period are offered as a life-changing pivot. Emilia has arrived in the Eternal City still under the shadow of her “past-tense love,” following the plans she and Michael had made before he revealed, after a year and a half together, that he had been married all along and now wants to give the marriage another go. Emilia believed she loved Michael but also comments: “The longer I was with him, the more uncertain I became, transforming myself accordingly. I adopted so much of what he loved and hated and rejected and valued, became some version of myself that existed in relation to him.” Now liberated from this self-subordination, she is free to wander the streets indulgently, thinking about herself, her family, her memories, her time with Michael, and her impressions of Rome (heavy on the booze, fountains, churches, olives, espressos, and pizza). Planning a picnic in a park, she bumps into attractive American architect John and quickly finds distraction from her romantic past with a new romantic present. But John has a larger function than mere lover. He asks questions about Emilia’s father—a famous singer/songwriter who of course has influenced his daughter’s attitude toward men. This burrowing will lead Emilia to acknowledgements—“You never took me seriously, I never even had a chance” (addressed both to Michael and to her father)—and new possibilities. Giacco’s slender, elegant, yet detached story assumes engagements with privileged Emilia and her point of view, yet those connections may be less than certain in a tale that seems more glossy than groundbreaking.

Upscale escapism as beautiful people in a sensuous city bare and share.

Pub Date: May 3, 2022

ISBN: 978-1-5387-0642-8

Page Count: 288

Publisher: Grand Central Publishing

Review Posted Online: March 29, 2022

Kirkus Reviews Issue: April 15, 2022

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REGRETTING YOU

The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.

When tragedy strikes, a mother and daughter forge a new life.

Morgan felt obligated to marry her high school sweetheart, Chris, when she got pregnant with their daughter, Clara. But she secretly got along much better with Chris’ thoughtful best friend, Jonah, who was dating her sister, Jenny. Now her life as a stay-at-home parent has left her feeling empty but not ungrateful for what she has. Jonah and Jenny eventually broke up, but years later they had a one-night stand and Jenny got pregnant with their son, Elijah. Now Jonah is back in town, engaged to Jenny, and working at the local high school as Clara’s teacher. Clara dreams of being an actress and has a crush on Miller, who plans to go to film school, but her father doesn't approve. It doesn’t help that Miller already has a jealous girlfriend who stalks him via text from college. But Clara and Morgan’s home life changes radically when Chris and Jenny are killed in an accident, revealing long-buried secrets and forcing Morgan to reevaluate the life she chose when early motherhood forced her hand. Feeling betrayed by the adults in her life, Clara marches forward, acting both responsible and rebellious as she navigates her teenage years without her father and her aunt, while Jonah and Morgan's relationship evolves in the wake of the accident. Front-loaded with drama, the story leaves plenty of room for the mother and daughter to unpack their feelings and decide what’s next.

The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.

Pub Date: Dec. 10, 2019

ISBN: 978-1-5420-1642-1

Page Count: 400

Publisher: Montlake Romance

Review Posted Online: Oct. 13, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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