Next book

WITCH BABY

This sequel to the extraordinary Weetzie Bat (1989) revisits L.A.'s frenetic pop world, again using exquisitely crafted language to tell a story whose glitzy surface veils thoughtful consideration of profound contemporary themes. Witch Baby—child of Weetzie Bat's lover (My Secret Agent Lover Man) and taloned Jayne Mansfield-groupie Vixanne Wigg—is at odds with all her complicated family (which still includes gay lovers Dirk and Duck). She's jealous of Weetzie's daughter Cherokee, beloved of Raphael, biracial son of other characters in book #1; she's a drummer whose music echoes her inner turmoil and a photographer whose disturbing shots reflect her distress at the world's horror—a glowering personality whose excesses trouble both herself and others. Still, like Weetzie Bat's, Witch Baby's quest for meaning ends on an up beat: though her first love is deported to Mexico, there's hope of finding him again; meanwhile, her honesty results in a reconciliation between Duck and his mom; Witch Baby also learns who her ``real'' parents are and returns to the fold after meeting the many-masked Vixanne. Like her adoptive mother, Witch Baby is painfully aware of many kinds of cruelty—to the homeless, to the environment, to people who are ``different''; but, again, generosity and love triumph in a far-from-perfect world. Block's deft wordplay, connections, and allusions continue to delight in this satisfying extension, which will be most easily enjoyed by those familiar with the earlier book. (Fiction. YA+)*justify no*

Pub Date: Sept. 30, 1991

ISBN: 0-06-020547-4

Page Count: 112

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1991

Next book

THE GIVER

From the Giver Quartet series , Vol. 1

Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly...

In a radical departure from her realistic fiction and comic chronicles of Anastasia, Lowry creates a chilling, tightly controlled future society where all controversy, pain, and choice have been expunged, each childhood year has its privileges and responsibilities, and family members are selected for compatibility.

As Jonas approaches the "Ceremony of Twelve," he wonders what his adult "Assignment" will be. Father, a "Nurturer," cares for "newchildren"; Mother works in the "Department of Justice"; but Jonas's admitted talents suggest no particular calling. In the event, he is named "Receiver," to replace an Elder with a unique function: holding the community's memories—painful, troubling, or prone to lead (like love) to disorder; the Elder ("The Giver") now begins to transfer these memories to Jonas. The process is deeply disturbing; for the first time, Jonas learns about ordinary things like color, the sun, snow, and mountains, as well as love, war, and death: the ceremony known as "release" is revealed to be murder. Horrified, Jonas plots escape to "Elsewhere," a step he believes will return the memories to all the people, but his timing is upset by a decision to release a newchild he has come to love. Ill-equipped, Jonas sets out with the baby on a desperate journey whose enigmatic conclusion resonates with allegory: Jonas may be a Christ figure, but the contrasts here with Christian symbols are also intriguing.

Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly provocative novel. (Fiction. 12-16)

Pub Date: April 1, 1993

ISBN: 978-0-395-64566-6

Page Count: 208

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1993

Awards & Accolades

Likes

  • Readers Vote
  • 123


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

Awards & Accolades

Likes

  • Readers Vote
  • 123


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

Close Quickview