A witty, wildly diverting romantic SF thriller.
In Perillo and Cardoselli’s graphic novel, a robot in a dystopian future fights for the woman he’s just fallen in love with.
JoJo is a round-bodied, thin-limbed robot living in a crowded city. Even though he drives a taxi for humans who don’t mask their hatred of robots, he stays positive and appreciates life’s “little extraordinary things.” His own life takes a pleasantly unexpected turn when Gilda Atkinson Pedretti hops into his taxi cab. She’s a beautiful woman who, like JoJo, has a fondness for Nina Simone and old black-and-white movies. They make a date, but then Gilda seemingly vanishes. When she finally calls, she fearfully asks for help before the call is cut off. As JoJo soon learns, Gilda is the lawyer for the Polpette Mafia, and the mob boss’ son is apparently obsessed with her. The tenderhearted robot, convinced this woman is his only chance at happiness, has no qualms about facing off against trigger-happy gangsters if there’s a chance he can save her. Perillo’s writing, coupled with Cardoselli’s artwork, delivers a smashing blend of sci-fi, romance, and noir (JoJo’s bug-eyed cat Frida narrates with the cynicism of a world-weary detective). The author wisely keeps the narrative simple while providing glimpses of characters’ backstories, including those of Gilda and robots in general. The handful of bullet-riddled action scenes include delightful touches of humor; JoJo doesn’t carry a gun like the mobsters and uses what he can for a weapon (a phone proves especially handy). Cardoselli sublimely captures all of this chaos in pages bursting with vivid visuals (like a recurring gag of heavily advertised Perillo’s Cakes and Donuts) in jumbled panels fighting for space. And while JoJo is an undeniably winsome hero, it’s gleefully self-absorbed Frida who steals the show.
A witty, wildly diverting romantic SF thriller.Pub Date: Oct. 15, 2024
ISBN: 9781545812020
Page Count: 112
Publisher: Mad Cave Studios
Review Posted Online: Aug. 12, 2024
Kirkus Reviews Issue: Oct. 15, 2024
Review Program: Kirkus Indie
BOOK REVIEW
Utterly charming and swoonworthy.
Two beloved characters from artist Eunnie’s Instagram feed get a full-length graphic novel treatment.
Readers meet college student Momo just as she’s about to encounter PG for the first time. It’s not an ideal meet-cute, however. Momo is doing her friend Kayla a favor by dropping off some class notes at Kayla’s friend Lea’s dorm room. When scantily clad PG answers the door, Momo is immediately flustered by how gorgeous she is—but she learns that PG has a reputation for seducing women and avoiding serious commitments, the exact opposite of Momo, who’s never dated anyone. Still, after witnessing a fraught situation at a nightclub, Momo overcomes her shyness to check on PG. They have an open conversation and a romantic dance. Running into each other around town turns into texting, which turns into mutual big feelings. Readers will fall in love with both young women as they fall in love with each other. Their conflicts give them depth and feel believable for their stage of life, their different but equally relatable backstories are fleshed out, and the satisfying resolution inspires happiness. Well-developed friendships play smaller but still important roles. The appealing artwork features clean, pastel-tinted backgrounds and doe-eyed characters with expressive faces. Momo has dark brown skin and wavy brown hair; PG is Vietnamese American.
Utterly charming and swoonworthy. (Graphic romance. 14-adult)Pub Date: Oct. 17, 2023
ISBN: 9780593403228
Page Count: 336
Publisher: Viking
Review Posted Online: Aug. 11, 2023
Kirkus Reviews Issue: Sept. 1, 2023
Immensely enjoyable.
The debut graphic novel from Mohamed presents a modern Egypt full of magical realism where wishes have been industrialized and heavily regulated.
The story opens with a televised public service announcement from the General Committee of Wish Supervision and Licensing about the dangers of “third-class wishes”—wishes that come in soda cans and tend to backfire on wishers who aren’t specific enough (like a wish to lose weight resulting in limbs falling from the wisher’s body). Thus begins a brilliant play among magic, the mundane, and bureaucracy that centers around a newsstand kiosk where a devout Muslim is trying to unload the three “first-class wishes” (contained in elegant glass bottles and properly licensed by the government) that have come into his possession, since he believes his religion forbids him to use them. As he gradually unloads the first-class wishes on a poor, regretful widow (who then runs afoul of authorities determined to manipulate her out of her valuable commodity) and a university student who seeks a possibly magical solution to their mental health crisis (but struggles with whether a wish to always be happy might have unintended consequences), interstitials give infographic histories of wishes, showing how the Western wish-industrial complex has exploited the countries where wishes are mined (largely in the Middle East). The book is exceptionally imaginative while also being wonderfully grounded in touching human relationships, existential quandaries, and familiar geopolitical and socio-economic dynamics. Mohamed’s art balances perfectly between cartoon and realism, powerfully conveying emotions, and her strong, clean lines gorgeously depict everything from an anguished face to an ornate bottle. Charts and graphs nicely break up the reading experience while also concisely building this larger world of everyday wishes. Mohamed has a great sense of humor, which comes out in footnotes and casual asides throughout.
Immensely enjoyable.Pub Date: Jan. 10, 2023
ISBN: 978-1-524-74841-8
Page Count: 528
Publisher: Pantheon
Review Posted Online: Oct. 26, 2022
Kirkus Reviews Issue: Nov. 15, 2022
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