Smart, assured fiction from a master storyteller and thoughtful social commentator.
A trashy anti-communist novel poses a moral dilemma for a young editor.
On June 19, 1953, narrator Simon Putnam and his parents grimly watch a TV reporter announce that the Rosenbergs have been executed as Soviet spies. With her customary deft hand, Prose sketches the family dynamic as they comment on the coverage: Recent Harvard grad Simon loves his idealistic mother and cynical father but is embarrassed by the immigrant origins they share with the Rosenbergs. His mother grew up with Ethel on the Lower East Side, which is not something Simon wants getting around at Landry, Landry, and Bartlett, the distinguished publishing house where his uncle Madison, a feared literary critic, gets him an entry-level job. Simon hopes to follow Madison’s tracks out of Coney Island, so he’s thrilled when charismatic Warren Landry asks him to edit a manuscript, until he realizes that The Vixen, the Patriot, and the Fanatic depicts Ethel Rosenberg as a communist Mata Hari seducing every man in sight and, by the way, as guilty as hell. The firm is in dire financial shape, Warren confides; if Simon can make this mess “less bad” they could have a sorely needed bestseller. Tantalized by the prospect of a promotion, plus the alluring photo of author Anya Partridge, Simon suppresses his qualms and gets to work. Hilarious excerpts from the appalling manuscript provide Prose’s characteristic humor in a story that otherwise has a more serious tone than her norm. Numerous hints are dropped that this project is not what it seems, and readers who know their American cultural history may spot the big reveal well before Simon does, but Prose maintains our interest with a vivid portrait of his internal conflicts: guilt over his participation in “this commodification of Ethel’s tragedy” intensified by guilt over distancing himself from his parents; lust for the intriguingly weird Anya conflicting with a crush on supernice publicity director Elaine Geller. Simon gets a stinging reality check in the novel’s climax, but he also gets a partial revenge and finds his life’s direction in the mildly improbable but touching final developments.
Smart, assured fiction from a master storyteller and thoughtful social commentator.Pub Date: June 29, 2021
ISBN: 978-0-06-301214-1
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
A heartbreaking, laugh-provoking, and absolutely Ephron-esque look at the beauty and fragility of everyday life.
A woman faces a health crisis and obsesses over a local accident in this wonderful follow-up to Sandwich (2024).
Newman begins her latest with a quote from Nora Ephron: “Death is a sniper. It strikes people you love, people you like, people you know—it’s everywhere. You could be next. But then you turn out not to be. But then again, you could be.” It sets an appropriate tone for a story that is just as full of death and dread as it is laughter. Two years after the events of Sandwich, Rocky is back home in Western Massachusetts and happily surrounded by family—her daughter, Willa, lives with her and her husband, Nick, while applying to Ph.D. programs; her widowed father, Mort, has moved into the in-law apartment behind their house. When a young man who graduated from high school with Rocky’s son, Jamie, is hit by a train, Rocky finds herself spiraling as she thinks about how close the tragedy came to her own family. She’s also freaking out about a mysterious rash her dermatologist can’t explain. Both instances are tailor-made for internet research and stalking. As Rocky obsessively googles her symptoms and finds only bad news (“Here’s what’s true about the Internet: very infrequently do people log on with their good news. Gosh, they don’t write, I had this weird rash on my forearm? And it turned out to be completely nothing!”), she also compulsively checks the Facebook page of the accident victim’s mother. Newman excels at showing how sorrow and joy coexist in everyday life. She masterfully balances a modern exploration of grief with truly laugh-out-loud lines (one passage about the absurdity of collecting a stool sample and delivering it to the doctor stands out). As Rocky deals with the byzantine frustrations of the medical system, she also has to learn, once more, how to see her children, husband, father, and herself as fully flawed and lovable humans.
A heartbreaking, laugh-provoking, and absolutely Ephron-esque look at the beauty and fragility of everyday life.Pub Date: Oct. 28, 2025
ISBN: 9780063453913
Page Count: 224
Publisher: Harper/HarperCollins
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
PERSPECTIVES
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