by Francis Mason ‧ RELEASE DATE: May 1, 1991
``I don't think there is a definitive portrait of Balanchine,'' says longtime New York City Ballet administrator Betty Cage herein. ``Everybody has a different view, a different perspective...all true in certain ways and all lacking in certain ways.'' This collection of more than 75 such perspectives from friends and associates ultimately tells us much more about the contributors than about Balanchine-but is nonetheless entertaining and often riveting. Mason (editor of Ballet Review) does put his finger on why talking about Balanchine reveals so much about the speakers: ``I have never known so many people so eager to talk about a man. Balanchine was clearly a dominant figure to all of them: talking about him explained themselves, relived their careers, made sense of their lives, assimilated the past for the future.'' Throughout, this leads to a seriousness and solemnity in interviews from such widely varied personalities as Alexandra Danilova, Nureyev, Erick Hawkins, Katherine Dunham, and Darci Kistler. Lincoln Kirstein, quoted in a 1933 letter to a friend after first meeting Balanchine, is full of the urgency of having recognized a genius: ``This will be the most important letter I will ever write you...My pen burns my hand...We have a real chance to have an American ballet within 3 years time...'' Mason deftly lets each distinctive voice come through loud and clear. Here is Edward Villella on discussing the essence of gesture with Balanchine: ``At the beginning of the pas de deux, Apollo and Tersichore touch their fingertips together, and I said, `Jeez, that's really very beautiful.' '' And there are plenty of sidelights into dance history that have nothing to do with Balanchine. The ballerina Tamara Geva (Balanchine's first wife) remembers Isadora Duncan: ``I shall never forget her performance: Wagnerian music, with a symphony orchestra down below in the pit, and up on the stage of the Maryinsky this lady stretched out on the floor. She lay there for a long time while we were all waiting for something to happen.'' A massive (640-page), eloquent effort that provides a valuable oral history of the ballet world. If it doesn't add to our knowledge of Balanchine, it does, most importantly, underscore his extraordinary contribution. As Helgi Tomasson, now director of the San Francisco Ballet poignantly captures the elusiveness of dance as well as of Balanchine's genius: ``the farther we get from his leaving us, the less we will remember.''
Pub Date: May 1, 1991
ISBN: 0-385-26610-3
Page Count: 640
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1991
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by Chris Gardner with Quincy Troupe ‧ RELEASE DATE: June 1, 2006
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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