An energetic cast of characters in 20 short, freely styled poems in both English and Spanish help readers "see everything for the first time." "My Grandma's Songs" "would follow/the beat of/the washing machine" and "could turn/my grandma/into a young girl." The laughing tomatoes turn their "wireframed/bushes/into/Christmas trees/in spring," shown in a spread in which wedged into the smiling mouths of children and pets are, somewhat astonishingly, slices of heavily seeded tomato. With vibrantly stylized illustrations, this lively gathering carries an invitation from Alarcón to "make these poems yours" by reading them, words followed by the final short poem—"there are no endings/just new beginnings." An accessible, open-hearted collection.
Pub Date: April 1, 1997
ISBN: 978-0-89239-139-4
Page Count: 32
Publisher: Children's Book Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2000
Leaving behind much of the lyricism found in his previous collections, Berry (First Palm Trees, 1997, etc.) pens poems in the voices of a sister, Dreena (who has the magical name), and brother, Delroy, on their experiences in the family with a dour sister, mother (“A teacher, Mom has lots of pens/and home and school jobs”), and father, who “drives a train,/sometimes in a heavy jacket.” This father is not really poem-material: “And, sometimes, Dad brings us gifts./Sometimes, he plays our piano.” The brother, Delroy, who tenders three autobiographical poems, can’t sit still and can’t stop talking about it. There is a good declarative poem, about a strong friendship he shares with another boy. Otherwise, he is dancing like a madman (“doing body-break and body-pop”) or skateboarding under the influence of a fevered imagination (“I want one owl on each my shoulder/hooting out as I leap each river”). In her first book, Hehenberger takes a literal route, anchoring every poem in domestic scenes of family and friends; the deep colors and finely sculpted forms become set pieces for Berry’s earthbound images. (Picture book. 5-9)
Pub Date: April 1, 1999
ISBN: 0-689-80013-4
Page Count: 32
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1999
Sabuda’s interpretation of Mother Goose is a work of moving art, which necessitates that it also be treated like one. This isn’t a volume that will survive the wear and tear of many circulations; some of the paper parts have to be gently coaxed into position. However, the reward for handling with care is great; these feats of paper engineering not only illustrate nursery rhymes in three dimensions, but they also reinterpret them, e.g., “One, two,/Buckle my shoe” is reenvisioned as a woodpecker and a hen preparing for a night out. “Knock on the door” shows the earnest woodpecker tapping on the front entrance with his beak, while “Pick up sticks” shows the hen choosing her lipstick. Glorious colors and elaborate configurations of blackbirds bursting out of pies and peacocks fanning their feathers make this an exhibition of paper prowess that’s unforgettable. (Pop-up. 4-9)
Pub Date: Nov. 1, 1999
ISBN: 0-689-81192-6
Page Count: 12
Publisher: Little Simon/Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
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