Bill is one hell of a storyteller. If he makes his characters a little more complex, he could become one of the best, but...
This is a novel that guts the underbelly of southern Indiana and leaves the reader with either a rush of adrenaline or a wave of loathing.
Jarhead can’t find a job to feed his hungry babies, so he robs a gun store for $1,000—not a dollar more or a dollar less. His only skill is bare-knuckle fighting, and he needs the money for the entry fee to the Donnybrook, a tournament where 20 men fight each other in a 30-by-30 enclosure until only one is left standing. Winners advance through several rounds, producing an ultimate winner who takes home a hundred grand in cash. It’s the only path Jarhead can see for a better life for his family. Unfortunately, it’s a path soaked in blood. Nearly everyone else of importance in this grim tale is a murderer, a meth dealer or user, a whore or an abuser of whores. Chainsaw Angus is Jarhead’s biggest obstacle in the Donnybrook, as he has never lost a fight in his life. Chainsaw’s sister Liz is a prostitute who puts a bullet in a man’s head while they are having sex. Bill portrays depravity and violence as few others can—or perhaps as few others dare to do. The problem is that most of the characters are one-dimensional, irredeemable, sorry wastes of protoplasm. It’s hard to imagine so many people showing so little decency in the same story. Yet the plot builds relentlessly to the final round of the Donnybrook and gives the reader unexpected jolts all the way through to an ending that strongly suggests a sequel.
Bill is one hell of a storyteller. If he makes his characters a little more complex, he could become one of the best, but this book doesn’t quite get him there.Pub Date: March 5, 2013
ISBN: 978-0-374-53289-5
Page Count: 256
Publisher: Farrar, Straus and Giroux
Review Posted Online: Dec. 15, 2012
Kirkus Reviews Issue: Jan. 1, 2013
Koontz widens his canvas dramatically while dimming the hard brilliance common to his shorter winners:1995’s taut masterpiece, Intensity, and 1998’s moon-drenched midsummer nightmare, Seize the Night. This time the author takes up mind control, wiring his tale into the brainwashing epics The Manchurian Candidate and last spring’s film The Matrix. The laser-beam brightness of his earlier bestsellers fades, however, as he stuffs each scene with draining chitchat and extra plotting that seldom rings with novelty. Martine “Martie” Rhodes, a video-game designer, has developed a rare mental disorder: autophobia, fear of oneself. Meanwhile, her husband Dusty’s young half-brother, Skeet Caulfield, has decided to jump off the roof of a building the two men are repairing—because Skeet has seen the Angel of the next world, who has revealed that things are pretty wonderful there, and he wants to come on over. Martie’s best friend, real-estate agent Susan Jagger, is newly coping with agoraphobia, fear of the outdoors. What’s more, Susan knows she’s being visited and raped at night by her separated husband, Eric, although all her doors and windows are locked. She can’t remember these rapes, but her panties are stained with semen. So when she sets up a camcorder to record her sleeping hours, she gets a huge surprise after viewing the tape. How these mental and physical events have come about—ditto the psychiatric background of the Keanuphobe millionairess who shows up (yes! she fears Keanu Reeves)—has something to do with the ladies’ psychiatrist, Dr. Mark Ahriman, the son of a famous dead movie director whose eyes the doctor keeps in a bottle of formaldehyde and studies, in hopes of siphoning off Dad’s inspiration. Although the whole story could have been told to better effect in 300 pages, Koontz deftly sidesteps clichÇs of expression while nonetheless applying an air pump to the suspense: an MO that keeps his yearly 17-million book sales afloat.
Pub Date: Dec. 28, 1999
ISBN: 0-553-10666-X
Page Count: 640
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Utter non-scents.
Die-hard Yankee candle maker Stella Wright (Murder’s No Votive Confidence, 2018) gets caught up in a trans-Atlantic murder plot.
Stella thoroughly enjoys her trip to Paris even though her mother, perfume expert Millie Wright, who’s scheduled to speak on a panel entitled “The Art of Scent Extractions” at the World Perfumery Conference, gets preempted by a murder. Sadly, once they’re back home in Nantucket, things get even weirder. Stella receives an anonymous note threatening her mom if Stella doesn’t turn over a secret formula hidden in Millie’s bag. Her mom can’t help because she’s in the hospital courtesy of an overenthusiastic attempt by Stella’s cat, Tinker, to befriend her. While trespassing on a suspicious sailboat, Stella meets U.S. Agent Sarah Hill, who warns her that well-known anarchist Rex Laruam plans to disrupt the upcoming Peace Jubilee using a stolen formula he secreted in Millie’s bag after he stabbed the agent guarding it back in Paris. Ignoring the advice of her friend Andy Southerland, a Nantucket cop, to leave detection to the professionals, Stella tries to unmask the elusive Laruam. As she spies on a bevy of unlikely suspects, the plot spirals further and further out of control: There’s a Canadian couple staying at an Airbnb run by Stella’s cousin Chris who whisper sweet but suspicious nothings in the dark, a shovel-wielding schoolmarm, a gang of old geezers who have a collective crush on Millie, a surprise 30th-birthday party planned by Stella’s beau, Peter Bailey, and an even more surprising impromptu airplane ride.
Utter non-scents.Pub Date: Feb. 25, 2020
ISBN: 978-1-4967-2141-9
Page Count: 272
Publisher: Kensington
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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