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APPLES

The author tackles the apple in all its guises—mythopoetic, biological, historical, commercial—and comes away with a winner. Browning (The Culture of Desire, 1993, etc.) may be a Kentucky apple farmer, but he is foremost an apple fancier. Here he treats readers to an exploration of the apple through time and space and culture, from the names as lovely as any butterfly’s—White Winter Pearmain, Black Twigs, Chisel Jersey—to the maladies of the red-banded leaf roller, red mites, and fungi. Restless and curious, Browning flies to Kazakhstan to investigate what is perhaps the world’s original apple forest and conjures the very appleness of the place. He delves deeply into the ancient symbolism of the apple: its proximity to peril and immortality; the perfect pentagram formed by its five pips, which was sacred not only to Christianity but to sorcery as well; the wassail rituals; the divine associations and the ebb and flow between early Nordic and Greco-Roman tree spirits. He makes lightly spun, intelligible forays into genetic fingerprinting of pomological pedigrees, and he delivers a quick history of Washington State apple growing and the sad circumstances that resulted in its planting mostly the Red Delicious, inoffensive but bland. And since he is a cider man himself, he tells the story of cider’s rise and fall and modest rise again, as experienced by contemporary artisan producers in Normandy, France, and Somerset Levels, England. His quest for the perfect apple to make his cider—the real stuff, with its dark, rich, moody smell of autumn—takes him on one more of his strange journeys, to an old hill farm in Kentucky, where he tracks down a relict Taliaferro apple tree and samples a homespun cider that sends him swooning. An exceptional popular study—right up there with John McPhee’s Oranges—that is often as exquisite as its subject.

Pub Date: Sept. 1, 1998

ISBN: 0-86547-537-7

Page Count: 256

Publisher: North Point/Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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