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CONFESSIONS OF A BORN-AGAIN ATHEIST

Name: CONFESSIONS OF A BORN-AGAIN ATHEIST
Author: Frank R. Zindler
ISBN: 978-1-57884-039-7

THE IMPLAUSIBLE LIVES OF A GODLESS GUY

by Frank R. Zindler ‧ RELEASE DATE: N/A

An often intriguing, if overlong, memoir about a life outside the mainstream.

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Zindler (Through Atheist Eyes, 2011, etc.) explores his long life as an atheist activist in this remembrance.

The author, who was born in the late 1930s, has witnessed the great changes in American society over the years. Drawing on his experiences as an evolutionary biologist, a prominent atheist, and a gay man who spent the majority of his life in the closet, he examines the battles that he’s waged to free people from what sees as the oppressive influence of the Bible. “The voices that echo and reverberate inside my head deserve to be allowed to speak one final time before they slip into eternal silence,” he writes in an introduction; to that end, he recounts his “many lives” and the people he met along the way, from his childhood on a farm outside Benton Harbor, Michigan, and his intense teenage religiosity following the sudden death of his father, to his long marriage to his wife, Ann, and his personal development as a strident atheist and out gay man. Additionally, Zindler discusses his friendship with the secular activist Madalyn Murray O’Hair, the founder of the organization American Atheists who, with her son and granddaughter, was abducted and murdered in Texas in 1995; he goes on to claim that the actual motivations for the killings differ from the official account. Throughout his book, Zindler’s prose is energetic, humane, and engaging, often revealing long-ago feelings as if they’re happening at the moment; for example, about the captain of a golf team, he writes, “Shod in golf shoes and wearing white shorts and a white polo shirt, he was Adonis come to earth. My heart was pounding so hard I could feel the pulsations in my neck. He was so close to me!” It’s a rather lengthy book, however, and some parts of the author’s life yield more compelling stories than others; his tales of his activist days, though, are particular standouts. Indeed, Zindler is such a sharp, personable presence on the page that he manages to carry the reader through the less interesting stretches.

An often intriguing, if overlong, memoir about a life outside the mainstream.

Pub Date: N/A

ISBN: 978-1-57884-039-7

Page Count: 508

Publisher: Kurti Publishing

Review Posted Online: Dec. 20, 2018

Review Program: Kirkus Indie

Categories:

GENERAL NONFICTION

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.