A must for existing fans, while being easily accessible to newcomers.
Third of Warrington’s related but independently intelligible aliens-among-us Aetherial Tales fantasies (Midsummer Night, 2010, etc.).
Thirty thousand years ago, the Aetherials, serially immortal, pure-energy beings, fled their home and took up residence, some in human form, on Earth. Previously, Mist, a human-formed Aetherial, was murdered by his duplicitous brother, Rufus, who, thousands of years ago, destroyed the Aetherial city of Azantios. Reborn Mist has few of his memories, human or Aetherial, but knows that he must find Rufus—and kill him. Meanwhile, Birmingham art gallery curator and talented designer Stevie Silverwood receives an unsolicited visionary triptych from old college flame Daniel Manifold. The triptych, called “Aurata’s Promise,” vividly and vigorously depicts a ruined palace, a scarlet-haired goddess and a city in flames. It bears a message to Stevie: “The world needs to see this.” But, arresting though the artwork is, why? Daniel, she discovers, has vanished from his London studio. Mist, recalling something of who and what he is, follows the clues to Birmingham. He recognizes not only the scenes in the triptych, but the people too; only the title remains baffling. But with his rusty human attributes, when he tries to talk to Stevie, she recoils. Then, one night in the gallery, an eerie presence manifests itself, cracks Stevie over the head and vanishes with the artwork. With no other choice, Mist must make another attempt to reassure Stevie, since he will need her help in tracking down Daniel, the triptych and Rufus—whatever the latter is planning, it definitely won’t be good. A classy, beautifully rendered tale that persuasively builds from low-key beginnings into a complex enterprise with real heft, a rich back story and characters that grow with the narrative.
A must for existing fans, while being easily accessible to newcomers.Pub Date: April 23, 2013
ISBN: 978-0-7653-1871-8
Page Count: 384
Publisher: Tor
Review Posted Online: Feb. 6, 2013
Kirkus Reviews Issue: March 1, 2013
A compelling, fast-moving story that grounds fantasy elements in a fascinating period of Russian history.
An impetuous young woman disguises herself as a boy and rides a mysterious horse through a lush and forbidding version of medieval Russia in the second novel in a proposed trilogy.
Vasya, who came of age in Arden’s The Bear and the Nightingale (2017), has no plans to settle down after the tragic events that end the first novel. With the help of the enigmatic frost-demon Morozko, who feels a fatally human attraction to Vasya, the young woman learns to wield a knife and make herself at home in the frozen forest. After rescuing several girls stolen from burned-out villages, she makes her way to Moscow, where she finds her sister Olga, now a conservative royal matron, and her brother Sasha, a monk with a swashbuckling side. She faces a force even stronger and more malevolent than the human outsiders who threaten Moscow and its rulers. Arden, who is obviously steeped in knowledge of the history and landscape of medieval Russia, uses that background as a playground for the imagination, creating a world in which the mythical intertwines with the historical. House and bathhouse spirits play a critical role in the action, and ghosts are as real as Tatar invaders. While the novel occasionally falls prey to the typical problems of the second part of a trilogy, awkwardly shoehorning in characters from the first novel and broadly hinting at issues to be resolved in the third, for the most part it stands solidly on its own as an independent work. Its outspokenly feminist themes color the story without overwhelming it. The characters, if painted in broad strokes, are vivid and personable, and the brutal landscape, both physical and social, convincingly shapes their destinies.
A compelling, fast-moving story that grounds fantasy elements in a fascinating period of Russian history.Pub Date: Jan. 9, 2018
ISBN: 978-1-101-88596-3
Page Count: 362
Publisher: Del Rey
Review Posted Online: Oct. 9, 2017
Kirkus Reviews Issue: Nov. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
We leave knowing more about Area X than we started; we may not understand it any better, but we leave transformed, as do all...
The concluding installment of the Southern Reach trilogy (Annihilation, 2014; Authority, 2014) ends where the story began: in a cloud of hallucinatory mystery.
In the present (presumably the present—time does strange things in this novel), Control, the failed director of the Southern Reach, and Ghost Bird, the "copy" of the biologist from Annihilation, travel through Area X, searching for the original biologist. Parallel storylines set in the past explain how Saul Evans, Area X's erstwhile lighthouse keeper, became the creature known as the Crawler and explore both his encounters with the little girl who grew up to be the Southern Authority's previous director and her resolve as an adult to return to Area X. What is, where is, and why is Area X? Is it in another dimension? Is it actually on another planet? Is it some kind of alien experiment? VanderMeer does not provide these answers; a tidy resolution is clearly not his goal, and those seeking such a thing were presumably perceptive enough to give up before reaching this volume. The series is less about a straight throughline of plot and more about constructing a fully realized portrait of peculiar, often alienated people and the odd landscapes they inhabit, both inside and outside of their skulls; and this the author has decidedly achieved. This trilogy represents an interesting pivot for VanderMeer: Although sharing many of the same motifs—metamorphosis, unusual fungi and other organic material, a pull toward the sea—it’s actually more restrained (if no less vivid) than the lush baroquerie of his earlier works.
We leave knowing more about Area X than we started; we may not understand it any better, but we leave transformed, as do all travelers to that uncanny place.Pub Date: Sept. 2, 2014
ISBN: 978-0-374-10411-5
Page Count: 272
Publisher: Farrar, Straus and Giroux
Review Posted Online: Aug. 13, 2014
Kirkus Reviews Issue: Sept. 1, 2014
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