by Frederic Seager ‧ RELEASE DATE: April 13, 2021
A well-researched, often contentious survey of Christianity from a Jewish perspective.
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Seager, a Jewish scholar, challenges mainstream narratives regarding Jesus and Judaism in this nonfiction work.
The author’s “first encounter with Jesus” occurred when he was a young child in a public park and a group of Catholic students taunted his small group of Jewish friends, chanting “Christ killers!” as their chaperone, a priest, “smiled broadly.” And while more than half a century has passed and the “image of Jews as Christ-killers does seem to be fading,” per the author, there remains a persistent theme in the “Jesus story [that] naturally puts the Jews and Judaism in a bad light.” Despite a 1965 papal declaration that reversed traditional Catholic doctrine about Jewish responsibility for Christ’s death, Mel Gibson’s 2004 film The Passion of the Christ which Seager calls “openly anti-Semitic,” proved to be extremely popular with Catholic and evangelical Protestant audiences. Even among more moderate Christians, the book argues, there remains a consensus that the teachings of Jesus are “superior to Judaism.” This notion has even impacted the beliefs of prominent atheists, such as Richard Dawkins, who often contrast the alleged pacifism and compassion of Christ with the “cruel ogre” God of the Old Testament. Lamentably (to the author), many contemporary Jews regard Jesus as a “sadly misunderstood” yet pious Jew. Central to Seager’s argument, however, is the fact that “the Jews who actually knew Jesus overwhelmingly rejected his message.” By offering a “Jewish reading” of the Gospels (which he describes as a “remarkable work of anti-Jewish propaganda”), the author argues that Jesus failed to understand Judaism. Seager further charges that Jesus openly pitted himself against Pharisees and the leading Jewish thinkers of the day and often misquoted Hebrew Scripture to spin Jewish teachings in a negative light; while Jews recognized the maxim “an eye for an eye and a tooth for a tooth” as a call for moderation and restraint when seeking justice, Jesus quoted it “as if it sanctioned vengeance or reprisal.” Seager reports that Jesus also misquotes Leviticus, telling his followers “You have heard that it was said, ‘You shall love your neighbour and hate your enemy,’ ” yet the phrase “hate your enemy” is absent from the Hebrew text. To the author, this deliberate mistranslation suggests that Jesus “either was dishonest or simply did not understand the Bible.”
A retired professor of history from the University of Montreal, Seager has published multiple monographs on antisemitism and Jewish history. Featuring a 20-page bibliographic essay that demonstrates a firm command over both Jewish and Christian doctrine—in addition to nearly 450 endnotes—the book is clearly the product of a skilled researcher. Most impressive, however, is the text’s careful balance of nuanced historical analysis and an accessible, grounded writing style designed for Jewish laity. Its concise narrative is less than 165 pages and deliberately avoids academic jargon while also providing surgically precise analyses of Jewish and Christian teachings and history. While the book is often harsh in its descriptions of Christ and Christian theology, Christian readers have much to learn from this work about the ways in which their own rhetoric and traditions have marginalized and maligned Judaism.
Pub Date: April 13, 2021
ISBN: 9798736148233
Page Count: 183
Publisher: Independently Published
Review Posted Online: March 29, 2023
Review Program: Kirkus Indie
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IndieBound Bestseller
by Steve Martin illustrated by Harry Bliss ‧ RELEASE DATE: Nov. 17, 2020
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
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IndieBound Bestseller
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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by Amy Tan ; illustrated by Amy Tan ‧ RELEASE DATE: April 23, 2024
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
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SEEN & HEARD
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