by Frederic Seager ‧ RELEASE DATE: April 13, 2021
A well-researched, often contentious survey of Christianity from a Jewish perspective.
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Seager, a Jewish scholar, challenges mainstream narratives regarding Jesus and Judaism in this nonfiction work.
The author’s “first encounter with Jesus” occurred when he was a young child in a public park and a group of Catholic students taunted his small group of Jewish friends, chanting “Christ killers!” as their chaperone, a priest, “smiled broadly.” And while more than half a century has passed and the “image of Jews as Christ-killers does seem to be fading,” per the author, there remains a persistent theme in the “Jesus story [that] naturally puts the Jews and Judaism in a bad light.” Despite a 1965 papal declaration that reversed traditional Catholic doctrine about Jewish responsibility for Christ’s death, Mel Gibson’s 2004 film The Passion of the Christ which Seager calls “openly anti-Semitic,” proved to be extremely popular with Catholic and evangelical Protestant audiences. Even among more moderate Christians, the book argues, there remains a consensus that the teachings of Jesus are “superior to Judaism.” This notion has even impacted the beliefs of prominent atheists, such as Richard Dawkins, who often contrast the alleged pacifism and compassion of Christ with the “cruel ogre” God of the Old Testament. Lamentably (to the author), many contemporary Jews regard Jesus as a “sadly misunderstood” yet pious Jew. Central to Seager’s argument, however, is the fact that “the Jews who actually knew Jesus overwhelmingly rejected his message.” By offering a “Jewish reading” of the Gospels (which he describes as a “remarkable work of anti-Jewish propaganda”), the author argues that Jesus failed to understand Judaism. Seager further charges that Jesus openly pitted himself against Pharisees and the leading Jewish thinkers of the day and often misquoted Hebrew Scripture to spin Jewish teachings in a negative light; while Jews recognized the maxim “an eye for an eye and a tooth for a tooth” as a call for moderation and restraint when seeking justice, Jesus quoted it “as if it sanctioned vengeance or reprisal.” Seager reports that Jesus also misquotes Leviticus, telling his followers “You have heard that it was said, ‘You shall love your neighbour and hate your enemy,’ ” yet the phrase “hate your enemy” is absent from the Hebrew text. To the author, this deliberate mistranslation suggests that Jesus “either was dishonest or simply did not understand the Bible.”
A retired professor of history from the University of Montreal, Seager has published multiple monographs on antisemitism and Jewish history. Featuring a 20-page bibliographic essay that demonstrates a firm command over both Jewish and Christian doctrine—in addition to nearly 450 endnotes—the book is clearly the product of a skilled researcher. Most impressive, however, is the text’s careful balance of nuanced historical analysis and an accessible, grounded writing style designed for Jewish laity. Its concise narrative is less than 165 pages and deliberately avoids academic jargon while also providing surgically precise analyses of Jewish and Christian teachings and history. While the book is often harsh in its descriptions of Christ and Christian theology, Christian readers have much to learn from this work about the ways in which their own rhetoric and traditions have marginalized and maligned Judaism.
Pub Date: April 13, 2021
ISBN: 9798736148233
Page Count: 183
Publisher: Independently Published
Review Posted Online: March 29, 2023
Review Program: Kirkus Indie
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by Steve Martin illustrated by Harry Bliss ‧ RELEASE DATE: Nov. 17, 2020
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
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IndieBound Bestseller
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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by David McCullough ‧ RELEASE DATE: Sept. 16, 2025
A pleasure for fans of old-school historical narratives.
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New York Times Bestseller
Avuncular observations on matters historical from the late popularizer of the past.
McCullough made a fine career of storytelling his way through past events and the great men (and occasional woman) of long-ago American history. In that regard, to say nothing of his eschewing modern technology in favor of the typewriter (“I love the way the bell rings every time I swing the carriage lever”), he might be thought of as belonging to a past age himself. In this set of occasional pieces, including various speeches and genial essays on what to read and how to write, he strikes a strong tone as an old-fashioned moralist: “Indifference to history isn’t just ignorant, it’s rude,” he thunders. “It’s a form of ingratitude.” There are some charming reminiscences in here. One concerns cajoling his way into a meeting with Arthur Schlesinger in order to pitch a speech to presidential candidate John F. Kennedy: Where Richard Nixon “has no character and no convictions,” he opined, Kennedy “is appealing to our best instincts.” McCullough allows that it wasn’t the strongest of ideas, but Schlesinger told him to write up a speech anyway, and when it got to Kennedy, “he gave a speech in which there was one paragraph that had once sentence written by me.” Some of McCullough’s appreciations here are of writers who are not much read these days, such as Herman Wouk and Paul Horgan; a long piece concerns a president who’s been largely lost in the shuffle too, Harry Truman, whose decision to drop the atomic bomb on Japan McCullough defends. At his best here, McCullough uses history as a way to orient thinking about the present, and with luck to good ends: “I am a short-range pessimist and a long-range optimist. I sincerely believe that we may be on the way to a very different and far better time.”
A pleasure for fans of old-school historical narratives.Pub Date: Sept. 16, 2025
ISBN: 9781668098998
Page Count: 208
Publisher: Simon & Schuster
Review Posted Online: June 26, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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