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THE FIST OF GOD

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Readers who are intrigued by behind-the-scenes machinations of the Gulf War can eavesdrop on the major players as well as some fictional creations in this workmanlike thriller from the author of The Day of the Jackal (1971) and The Odessa File (1972). Saddam Hussein has invaded Kuwait, and the British send Mike Martin of the elite Special Air Services into deep cover in Kuwait City on an intelligence-gathering mission. Martin speaks fluent Arabic and, with his dark hair and eyes, easily carries off his disguise as a poor Bedouin. With aplomb, he establishes a network of informers and molds young Kuwaiti resistance fighters into a fearsome terrorist unit. But the Allies need the kind of information they can get from only one source—the long-untapped Iraqi mole, code-named Jericho, who is one of Saddam Hussein's inner circle. The British recall Martin and assign him to Baghdad for the dangerous job of reestablishing contact with Jericho. All goes well until Jericho comes up with a nugget of information so unlikely that the Allies think they are being duped and order Martin to close down the operation. From there, the pace quickens as the Allies belatedly discover the truth of the intelligence—and realize their desperate need to act on it. The novel ends in a blaze of top-notch military action, finely wrought descriptions of the gadgetry of destruction, and a twisty revelation of Jericho's identity. Despite some lingering loose ends and a trail of extraneous coincidence, The Fist of God—with its mix of secret war councils, confidential memos, super sleuthing, and military fireworks—should satisfy die-hard fans of espionage yarns. (Book-of-the-Month Club main selection)

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Pub Date: May 16, 1994

ISBN: 0-553-09126-3

Page Count: 560

Publisher: Bantam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1994

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NO BAD DEED

Chavez delivers a fraught if flawed page-turner that attempts too many twists.

A good Samaritan incurs a psychopath’s wrath in this debut thriller.

Veterinarian Cassie Larkin is heading home after a 12-hour shift when someone darts in front of her car, causing her to dump her energy drink. As she pulls over to mop up the mess, her headlights illuminate a couple having a physical altercation. Cassie calls 911, but before help arrives, the man tosses the woman down an embankment. Ignoring the dispatcher’s instructions, Cassie exits the vehicle and intervenes, preventing the now-unconscious woman’s murder. With sirens wailing in the distance, the man warns Cassie: “Let her die, and I’ll let you live.” He then scrambles back to the road and flees in Cassie’s van. Using mug shots, Cassie identifies the thief and would-be killer as Carver Sweet, who is wanted for poisoning his wife. The Santa Rosa police assure Cassie of her safety, but the next evening, her husband, Sam, vanishes while trick-or-treating with their 6-year-old daughter, Audrey. Hours later, he sends texts apologizing and confessing to an affair, but although it’s true that Sam and Cassie have been fighting, she suspects foul play—particularly given the previous night’s events. Cassie files a report with the cops, but they dismiss her concerns, leaving Cassie to investigate on her own. After a convoluted start, Chavez embarks on a paranoia-fueled thrill ride, escalating the stakes while exploiting readers’ darkest domestic fears. The far-fetched plot lacks cohesion and relies too heavily on coincidence to be fully satisfying, but the reader will be invested in learning the Larkin family’s fate through to the too-pat conclusion.

Chavez delivers a fraught if flawed page-turner that attempts too many twists.

Pub Date: Feb. 18, 2020

ISBN: 978-0-06-293617-2

Page Count: 320

Publisher: Morrow/HarperCollins

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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NO COUNTRY FOR OLD MEN

Magnificent writing, nonetheless, makes the best case yet for putting McCarthy on a pedestal just below the one occupied by...

Almost as frustrating as it is commanding, McCarthy’s ninth (and first since the completion of his Border Trilogy: Cities of the Plain, 1998, etc.) is a formidable display of stunningly written scenes that don’t quite cohere into a fully satisfying narrative.

It’s a bleak chronicle of murder, revenge and implacable fate pocked with numerous echoes of McCarthy’s great Blood Meridian (1985). Here, the story’s set in 1980 in southern Texas near the Mexican border, where aging Sheriff Bell, a decorated WWII veteran, broods heroically over the territory he’s sworn to protect, while—in a superb, sorrowful monologue—acknowledging the omnipresence of ineradicable evil all around him. Then the focus trains itself on Vietnam vet Llewellyn Moss, a hunter who stumbles upon several dead bodies, a stash of Mexican heroin and more than $2 million in cash that he absconds with. The tale then leaps among the hunted (Moss), an escaped killer (Anton Chigurh), whose crimes include double-crossing the drug cartel from which the money was taken, the Army Special Forces freelancer (Carson Wells) hired by druglords and—in dogged pursuit of all the horrors spawned by their several interactions—the intrepid, however flawed and guilty, stoical Sheriff Bell: perhaps the most fully human and sympathetic character McCarthy has ever created. The justly praised near-biblical style, an artful fusion of brisk declarative sentences and vivid, simple images, confers horrific intensity on the escalating violence and chaos, while precisely dramatizing the sense of nemesis that pursues and punishes McCarthy’s characters (scorpions in a sealed bottle). But this eloquent melodrama is seriously weakened by its insufficiently varied reiterated message: “if you were Satan . . . tryin to bring the human race to its knees, what you would probably come up with is narcotics.”

Magnificent writing, nonetheless, makes the best case yet for putting McCarthy on a pedestal just below the one occupied by William Faulkner.

Pub Date: July 25, 2005

ISBN: 0-375-40677-8

Page Count: 352

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2005

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