With his no-nonsense style and shrewd sense of variety and pacing, Forsyth remains a superior (if unoriginal and...
Another Forsyth countdown thriller--this time in 1987 Britain, where (in the novel's last 150 pages) the men of MI5 will be madly scrambling in order to prevent a USSR-engineered nuclear "accident."
Before the countdown begins, however, Forsyth teasingly moves back and forth between two slowly-developing plots, which will link up only in the novel's final moments. Plot #1: British Intelligence accidentally learns (thanks to the patriotism of a top jewel-thief) that there's a leak high up in the Defense Ministry; John Preston of MI5 eventually traces this leak to right-winger George Berenson, who thinks he's been slipping secrets to South Africa...but has really been slipping them to a Soviet mole within South Africa's diplomatic corps! (Preston's sleuthing takes him to South Africa, and back into WW II archives.) More central, however, is Plot #2: in Moscow aged Kim Philby (a nice cameo) is helping the USSR General Secretary to formulate ""Plan Aurora""--whereby a nuclear accident in England will swing the upcoming general election over to the Labour Party (which now belongs to the "Hard Left"), ushering in a Marxist-Leninist "British Revolution," not to mention the end of NATO. And Plan Aurora involves the infiltration of a dozen or so Soviet (non-KGB) agents into England, each one carrying some ingredient for Moscow's violation of the "Fourth Protocol." (One of the secret clauses in the 1968 Nuclear Non-Proliferation Treaty, this Protocol bans the hostile use of miniature, smuggled-in nuclear weapons.) Preston of MI5 begins to suspect what Moscow is up to when one of the Soviet couriers is accidentally apprehended in Scotland, carrying "a disk of pure polonium"--which, when placed next to a disk of lithium, becomes a nuclear-bomb "initiator." A search for other Soviet infiltrators begins, eventually focusing (with SAS support) on the key bomb-man, an English-speaking mole. But, though Preston & Co. are super-efficient, successfully closing in on the villains before the explosion, it's eventually revealed that the English were being aided all along by certain forces within Russia--a development which links up (too predictably, too late) with that other, Defense Ministry-leak subplot. This not-quite-satisfactory interplay between the plot-pieces is only one weakness of Forsyth's new thriller: the characters are all rather flat; the countdown lacks Jackal-level tension; the political material (Labour Party background, etc.) is ladled on with a heavy hand. No matter.
With his no-nonsense style and shrewd sense of variety and pacing, Forsyth remains a superior (if unoriginal and unmesmerizing) entertainer--and this lesser effort is sure to grab the same no-frills readership (not a speck of romance or sex here) that has made him a top-seller again and again.Pub Date: Sept. 4, 1984
ISBN: 9780553251135
Page Count: 435
Publisher: Viking
Review Posted Online: June 10, 2025
Kirkus Reviews Issue: Aug. 15, 1984
IN THE NEWS
A rather flat entry in a generally excellent series.
The 25th novel featuring Silva’s legendary protagonist.
During his intersecting careers as art restorer and Israeli spy, Gabriel Allon has tangled with Russian gangsters and al-Qaida terrorists. He has become well-acquainted with operatives in multiple security agencies and befriended a paid assassin. He has busted art thieves and created passable forgeries by Renaissance masters and abstract Modernists. This latest installment centers around his relationship with the pope and a newly discovered painting by Leonardo da Vinci that has gone missing from the Vatican. Silva’s novels tend to fall into two categories: books that reflect the politics of the day and books that don’t. His latest is one of the latter, which could be a treat for readers looking for escape, but it falls flat for a variety of reasons. Luxury has always been part of Gabriel Allon’s universe. It used to be an aspect of tradecraft, though. Allon would be wearing a very expensive suit and driving a very expensive car because he was posing as a client at a Swiss bank. Here, his wife is hosting a catered lunch for 150 of their daughter’s classmates in their apartment overlooking the Grand Canal in Venice. What once felt like a scintillating peek into the world of the obscenely wealthy now just feels…kind of obscene. Similarly, Allon goes chasing after a missing painting as a civilian—he retired from Mossad in Portrait of an Unknown Woman (2022)—the same way another man his age might buy a speedboat or get hair plugs. As the story progresses, the stakes are raised, but it’s hard to forget that Allon is now a middle-aged man pursuing a dangerous hobby, rather than a spymaster leading his intrepid team to prevent a disaster that will disrupt the global order.
A rather flat entry in a generally excellent series.Pub Date: July 15, 2025
ISBN: 9780063384217
Page Count: 416
Publisher: Harper/HarperCollins
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
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