Big Pro shows his stuff. Boffo.
A short novel and four long stories, by veteran Forsyth (The Phantom of Manhattan, 1999, etc.).
The title piece, a British-style police procedural, moves brilliantly and richly through in Edmonton, Canada, where detective sergeant Jack Burns leads an investigation into the mugging of an older man brutally kicked in the street who dies after long days in a coma. Burns’s investigation turns up airtight evidence against two thugs, who are captured, held in custody for two or three weeks, but never brought to trial. A toweringly bright defense lawyer gets them off scot-free so that he can engineer a greater vengeance than the court’s. But a crucial plot point about the nameless victim isn’t made until after the murderers are freed. Did the lawyer pick up this essential piece of information from a police artist’s sketch of the unidentified victim? Well, “Vengeance is mine,” saith the Lord . . . maybe He told the lawyer. In “The Art of the Matter” (a cockney play on Graham Greene’s 1948 novel, The Heart of the Matter), stone-broke East End actor Trumpington “Trumpy” Gore, a spear carrier in a hundred British films who’s rarely had a line of more than three words, inherits a grimy 16th-century painting, has it appraised at an auction house, and gets cheated out of a million pounds. This leads to a revenge rip-off that calls for Woody Allen’s Zelig inserting actor Bob Hoskins into a dozen famous British costumers. “The Miracle” tells of a WWII visitation by Santa Caterina della Misericordia to the square in Siena where she was crucified 400 years ago; she now helps save hundreds of grievously wounded Germans and Allies, none of whom die. (But there’s a twist.) “The Citizen” turns on a drug bust on a Boeing 747, “Whispering Wind” on the lone survivor of Custer’s Last Stand.
Big Pro shows his stuff. Boffo.Pub Date: Oct. 1, 2001
ISBN: 0-312-28691-0
Page Count: 228
Publisher: Dunne/St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2001
The thirty-one stories of the late Flannery O'Connor, collected for the first time. In addition to the nineteen stories gathered in her lifetime in Everything That Rises Must Converge (1965) and A Good Man is Hard to Find (1955) there are twelve previously published here and there. Flannery O'Connor's last story, "The Geranium," is a rewritten version of the first which appears here, submitted in 1947 for her master's thesis at the State University of Iowa.
Pub Date: Jan. 1, 1971
ISBN: 0374515360
Page Count: 555
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Oct. 1, 1971
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
In a word: magnificent.
Retrospect and resolution, neither fully comprehended nor ultimately satisfying: such are the territories the masterful Munro explores in her tenth collection.
Each of its eight long tales in the Canadian author’s latest gathering (after Hateship, Friendship, Courtship, Loveship, Marriage, 2001, etc.) bears a one-word title, and all together embrace a multiplicity of reactions to the facts of aging, changing, remembering, regretting, and confronting one’s mortality. Three pieces focus on Juliet Henderson, a student and sometime teacher of classical culture, who waits years (in “Chance”) before rediscovering romantic happiness with the middle-aged man with whom she had shared an unusual experience during a long train journey. In “Soon,” Juliet and her baby daughter Penelope visit Juliet’s aging parents, and she learns how her unconventional life has impacted on theirs. Then, in “Silence,” a much older Juliet comes sorrowfully to terms with the emptiness in her that had forever alienated Penelope, “now living the life of a prosperous, practical matron” in a world far from her mother’s. Generational and familial incompatibility also figure crucially in “Passion,” the story (somewhat initially reminiscent of Forster’s Howards End) of a rural girl’s transformative relationship with her boyfriend’s cultured, “perfect” family—and her realization that their imperfections adumbrate her own compromised future. Further complexities—and borderline believable coincidences and recognitions—make mixed successes of “Trespasses,” in which a young girl’s unease about her impulsive parents is shown to stem from a secret long kept from her, and “Tricks,” an excruciatingly sad account of a lonely girl’s happenstance relationship with the immigrant clockmaker she meets while attending a Shakespeare festival, the promise she tries and helplessly fails to keep, and the damaging misunderstanding that, she ruefully reasons, “Shakespeare should have prepared her.” Then there are the masterpieces: the title story’s wrenching portrayal of an emotionally abused young wife’s inability to leave her laconic husband; and the brilliant novella “Powers,” which spans years and lives, a truncated female friendship that might have offered sustenance and salvation, and contains acute, revelatory discriminations between how women and men experience and perceive “reality.”
In a word: magnificent.Pub Date: Nov. 14, 2004
ISBN: 1-4000-4281-X
Page Count: 320
Publisher: Knopf
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 15, 2004
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