Young readers may be charmed to realize that the tree sprout near the old oak’s stump could by now be a sapling. This will...
From acorn to huge tree, an oak provides the focal point for this clear and simple look at over two centuries of change in a single landscape.
A small boy plants an acorn in summer, close to a wigwam, high above a wide river. Though readers will guess that the tall ships that appear in the river by autumn don’t belong to the same people whose canoe crosses toward shore in the first pages, Karas avoids editorializing. In the next pages, “The boy grew up and moved away. Farmers now lived here.” The perspective stays: the growing tree, the river below, hills rolling away to the horizon. But seasons change, the occupants of the house on the land are different on each spread, and the landscape transforms by human hands through agriculture and construction. Karas’ gouache-and-pencil art has a friendly, intimate quality. A timeline grows along the bottom of the page, beginning when the tree sprouts in 1775 and indicating the passage of time at a rate of 25 years per spread. The tree is brought down by a storm in 2000—here the narrative changes from past tense to a “you are there” present tense.
Young readers may be charmed to realize that the tree sprout near the old oak’s stump could by now be a sapling. This will invite repeat visits. (Informational picture book. 4-8)Pub Date: Sept. 11, 2014
ISBN: 978-0-399-25233-4
Page Count: 32
Publisher: Nancy Paulsen Books
Review Posted Online: July 15, 2014
Kirkus Reviews Issue: Aug. 1, 2014
A solid, small step for diversifying STEM stories.
What does Annie want to be?
As career day approaches, Annie wants to keep her job choice secret until her family sees her presentation at school. Readers will figure it out, however, through the title and clues Tadgell incorporates into the illustrations. Family members make guesses about her ambitions that are tied to their own passions, although her brother watches as she completes her costume in a bedroom with a Mae Jemison poster, starry décor, and a telescope. There’s a celebratory mood at the culminating presentation, where Annie says she wants to “soar high through the air” like her basketball-playing mother, “explore faraway places” like her hiker dad, and “be brave and bold” like her baker grandmother (this feels forced, but oven mitts are part of her astronaut costume) so “the whole world will hear my exciting stories” like her reporter grandfather. Annie jumps off a chair to “BLAST OFF” in a small illustration superimposed on a larger picture depicting her floating in space with a reddish ground below. It’s unclear if Annie imagines this scene or if it’s her future-self exploring Mars, but either scenario fits the aspirational story. Backmatter provides further reading suggestions and information about the moon and four women astronauts, one of whom is Jemison. Annie and her family are all black.
A solid, small step for diversifying STEM stories. (Picture book. 4-7)Pub Date: March 6, 2018
ISBN: 978-0-88448-523-0
Page Count: 36
Publisher: Tilbury House
Review Posted Online: Feb. 3, 2018
Kirkus Reviews Issue: Feb. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Even the most bee-phobic readers will have a hard time resisting this swarm of humor and fact.
Following much the same format as in I’m Trying to Love Spiders (2015), Barton makes a strong case for the value of bees.
Edgar, a torpedo-shaped white kid with googly eyes and a scribble of hair, loves everything the narrator does, including dinosaurs, strawberries, and honey, but he’s not so sure about bees. The narrator proceeds to persuade him to “give bees a chance,” telling him there are “about 25,000 different kinds of bees to love” (a sampling of which are introduced on front and rear endpapers), describing the composition of a honeybee colony and honeybee anatomy, and regaling him with cool bee facts. Edgar’s still not sure, because, he says, “they’re all gonna sting me!” Since many readers likely share Edgar’s apprehension, Barton’s counter to this is delightfully kidcentric: “most bees lose their stinger after attacking,” she says, “which would be like your hand disappearing if you pinched your sister!” Edgar remains unconvinced, so Barton drills down on the importance of bee pollination to the world’s food supply, illustrating it with a strawberry plant that says, “throw me some pollen! I don’t have arms.” Barton’s digital mix of scribbly cartoons and comics-style panels, splashy, watercolor-effect backgrounds, and exuberant hand-lettering makes for a high-energy celebration of all things Apis.
Even the most bee-phobic readers will have a hard time resisting this swarm of humor and fact. (author’s note) (Informational picture book. 4-8)Pub Date: April 25, 2017
ISBN: 978-0-670-01694-5
Page Count: 40
Publisher: Viking
Review Posted Online: Feb. 13, 2017
Kirkus Reviews Issue: March 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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