An accessible queer retelling with a low-conflict storyline.
Oliver Bennet is not like the other Jane Austen characters you know; he’s not interested in “having a wife. Or, more importantly, being one.”
As the second-eldest child in the Bennet family, Oliver is expected to marry to maintain the family’s wealth and not be a financial burden. But Oliver’s family knows him as Elizabeth, assigning him an identity that causes him great discomfort, as he knows he’s a boy. Rather than finding a suitable husband, Oliver is much more interested in letting his family (and the rest of the world) know his true identity. If he happens to find love along the way with someone who embraces who he really is, all the better; in the meantime, he’s grateful for the support of older sister Jane, who accepts him as her brother. When Oliver, forced into a gown by Mama, meets the enchanting Fitzwilliam Darcy at a ball, he’s taken aback by how coldly the other boy treats him. However, after a subsequent chance encounter at a fair, where Oliver is dressed in trousers, the boys become friends—and, eventually, something more. Novoa builds on the source text’s narrative, including detailed descriptions of queer life in Regency England as well as the period’s clothing and domestic life. The story is entertaining and fast paced, but a lack of narrative tension serves to keep readers from feeling fully immersed. Cast members are cued white.
An accessible queer retelling with a low-conflict storyline. (author’s note, historical note) (Historical romance. 12-18)Pub Date: Jan. 16, 2024
ISBN: 9781250869807
Page Count: 304
Publisher: Feiwel & Friends
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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