A slow and detached narrative tells the story of Hong Kong's Stephen Chan, who, in 1938 at the age of 20, is sent to recover from tuberculosis in his family's summer house in a small Japanese fishing village. Stephen becomes fascinated with the family's faithful and taciturn servant, Matsu, and his mysterious past. The curious Stephen discovers a long-ago love triangle between Matsu, his best friend, Kenzo, and Sachi, a beautiful woman afflicted with leprosy in her youth and now living in a remote leper village in the mountains. Matsu begins to take Stephen on his frequent visits to Sachi. Stephen is entranced by the woman and her sad past (her leprosy brought dishonor to her family and led to Kenzo's rejection of her). Sachi's account of her lonely life is the finest part of the novel: delicate, absorbing, and melancholy. Now she finds happiness only in Matsu's friendship and her treasured rock garden, which Matsu lovingly helped her build, persuading her that she could have beauty in her life once again. While learning of the trio's secret past, Stephen also finds out about his father's furtive long-term affair and worries about the effect this will have on his family back in Hong Kong. Stephen's diary entries make up the novel, but, lacking emotion and passion, he's not a very good diarist. A whirlwind romance with a young Japanese woman does nothing to bring out his oblique personality. Matsu, the devoted gardener and wise friend, is the more intriguing character, but, frustratingly, he's only seen through Stephen's eyes. With Japan's invasion of China, Tsukiyama attempts to cast a dark shadow over the isolated village; but for all her hero's agonizing over whether or not to return to Hong Kong, no sense of wartime tension is evident. An engaging story—a forgotten love triangle coupled with the misery of leprosy—dulled by the dim voice of its narrator.
Pub Date: March 1, 1995
ISBN: 0-312-11813-9
Page Count: 208
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1995
A masterpiece, entirely Nobel-worthy.
Two mysterious quests form the core of Murakami’s absorbing seventh novel, whose encyclopedic breadth recalls his earlier successes, A Wild Sheep Chase (1989) and The Wind-Up Bird Chronicle (1997).
In the first of two parallel narratives, 15-year-old Kafka Tamura drops out of school and leaves the Tokyo home he shares with his artist-sculptor father, to seek the mother and sister who left them when Kafka was four years old. Traveling to the small town of Takamatsu, he spends his days at a free library, reconnects with a resourceful older girl who becomes his de facto mentor, and begins to reenact the details of a mysterious “incident” from more than 60 years ago. In 1944, a group of 16 schoolchildren inexplicably “lost consciousness” during an outing in a rural mountain area. Only one of them, Satoru Nakata, emerged from the incident damaged—and it’s he who, decades later, becomes the story’s second protagonist: a childlike, scarcely articulate, mentally challenged sexagenarian who is supported by a possibly guilty government’s “sub city” and possesses the ability to hold conversations (charmingly funny ones) with cats. With masterly skill and considerable subtlety, Murakami gradually plaits together the experiences and fates of Kafka and Nakata, underscoring their increasingly complex symbolic significance with several dazzling subplots and texts: a paternal prophecy echoing the Oedipus legend (from which Kafka also seeks escape); a faux-biblical occurrence in which things that ought not to be in the skies are raining down from them; the bizarre figures of a whore devoted to Hegel’s philosophy; and an otherworldly pimp whose sartorial affectations cloak his true menacing nature; a ghostly forest into which Russian soldiers inexplicably disappear; and—in glancing allusions to Japanese novelist Natsume Soseki—a clever homage to that author’s beguiling 1905 fantasy, I Am a Cat. Murakami is of course himself an immensely reader-friendly novelist, and never has he offered more enticing fare than this enchantingly inventive tale.
A masterpiece, entirely Nobel-worthy.Pub Date: Jan. 24, 2005
ISBN: 1-4000-4366-2
Page Count: 480
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2004
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A mother and her child-prodigy daughter struggle to survive the Holocaust by telling stories and remembering the power of...
Rosner’s debut novel is a World War II story with a Room-like twist, one that also deftly examines the ways in which art and imagination can sustain us.
Five-year-old Shira is a prodigy. She hears entire musical passages in her head, which “take shape and pulse through her, quiet at first, then building in intensity and growing louder.” But making sounds is something Shira is not permitted to do. She and her mother, Róża, are Jews who are hiding in a barn in German-occupied Poland. Soldiers have shot Róża’s husband and dragged her parents away, and after a narrow escape, mother and daughter cower in a hayloft day and night, relying on the farmer and his wife to keep them safe from neighbors and passing patrols. The wife sneaks Shira outside for fresh air; the husband visits Róża late at night in the hayloft to exact his price. To keep Shira occupied and quiet the rest of the time, Róża spins tales of a little girl and a yellow bird in an enchanted but silent garden menaced by giants; only the bird is allowed to sing. But when Róża is offered a chance to hide Shira in an orphanage, she must weigh her daughter’s safety against her desire to keep the girl close. Rosner builds the tension as the novel progresses, wisely moving the action out of the barn before the premise grows tired or repetitive. This is a Holocaust novel, but it’s also an effective work of suspense, and Rosner’s understanding of how art plays a role in our lives, even at the worst of times, is impressive.
A mother and her child-prodigy daughter struggle to survive the Holocaust by telling stories and remembering the power of music.Pub Date: March 3, 2020
ISBN: 978-1-250-17977-7
Page Count: 304
Publisher: Flatiron Books
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
BOOK REVIEW
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