A wonderful concept mired in an execution that comes with far too much baggage for comfort.
Leyla, an anthropomorphized hamadryas baboon, lives in a giant, loving, and boisterous family. Sometimes she just wants to find a bit of quiet!
When her noisy relations become too much to bear, Leyla runs away to find her own space. In doing so, she makes the acquaintance of a very still and quiet lizard, who teaches Leyla the art of doing nothing. Together, they sit, feeling the sun, listening to the wind, and letting their minds be free of thought. When Leyla returns to her family, she is better able to appreciate their vociferous affection. At the surface level, this is a lovely story of cross-species friendship, of finding peace by connecting mindfully to the present moment, and of distance making the heart grow fonder. How unfortunate, then, that the author chose to deliver this story through the use of anthropomorphic baboons when historically in the United States, images of this type have been used to denigrate African-American families, and stereotypes that still cause harm, such as black families being “too” large or “too” loud, show up in the text. Regardless of the author’s intention, the pain this title could cause black families must be noted. To her credit, Bernstein’s imagery is playful, sweet, and well-researched, and her inspiration for the use of the baboons after seeing them in the Prospect Park Zoo is explained in a brief author’s note.
A wonderful concept mired in an execution that comes with far too much baggage for comfort. (Picture book. 4-7)Pub Date: May 21, 2019
ISBN: 978-1-4197-3543-1
Page Count: 32
Publisher: Abrams
Review Posted Online: March 11, 2019
Kirkus Reviews Issue: April 15, 2019
Serve this superbly designed title to all who relish slightly scary stories.
Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.
Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.
Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)Pub Date: Aug. 21, 2012
ISBN: 978-1-4424-0297-3
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: Aug. 1, 2012
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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