A wonderful concept mired in an execution that comes with far too much baggage for comfort.
Leyla, an anthropomorphized hamadryas baboon, lives in a giant, loving, and boisterous family. Sometimes she just wants to find a bit of quiet!
When her noisy relations become too much to bear, Leyla runs away to find her own space. In doing so, she makes the acquaintance of a very still and quiet lizard, who teaches Leyla the art of doing nothing. Together, they sit, feeling the sun, listening to the wind, and letting their minds be free of thought. When Leyla returns to her family, she is better able to appreciate their vociferous affection. At the surface level, this is a lovely story of cross-species friendship, of finding peace by connecting mindfully to the present moment, and of distance making the heart grow fonder. How unfortunate, then, that the author chose to deliver this story through the use of anthropomorphic baboons when historically in the United States, images of this type have been used to denigrate African-American families, and stereotypes that still cause harm, such as black families being “too” large or “too” loud, show up in the text. Regardless of the author’s intention, the pain this title could cause black families must be noted. To her credit, Bernstein’s imagery is playful, sweet, and well-researched, and her inspiration for the use of the baboons after seeing them in the Prospect Park Zoo is explained in a brief author’s note.
A wonderful concept mired in an execution that comes with far too much baggage for comfort. (Picture book. 4-7)Pub Date: May 21, 2019
ISBN: 978-1-4197-3543-1
Page Count: 32
Publisher: Abrams
Review Posted Online: March 11, 2019
Kirkus Reviews Issue: April 15, 2019
There’s nothing especially new here, but the good-natured celebration of books, reading, and libraries will charm fellow...
A porcine hoarder of books learns to read—and to share.
The Book Hog’s obsession is clear from the start. Short declarative sentences describe his enthusiasm (“The Book Hog loved books”), catalog the things he likes about the printed page, and eventually reveal his embarrassing secret (“He didn’t know how to read”). While the text is straightforward, plenty of amusing visual details will entertain young listeners. A picture of the Book Hog thumbing through a book while seated on the toilet should induce some giggles. The allusive name of a local bookshop (“Wilbur’s”) as well as the covers of a variety of familiar and much-loved books (including some of the author’s own) offer plenty to pore over. And the fact that the titles become legible only after our hero learns to read is a particularly nice touch. A combination of vignettes, single-page illustrations and double-page spreads that feature Pizzoli’s characteristic style—heavy black outlines, a limited palette of mostly salmon and mint green, and simple shapes—move the plot along briskly. Librarians will appreciate the positive portrayal of Miss Olive, an elephant who welcomes the Book Hog warmly to storytime, though it’s unlikely most will be able to match her superlative level of service.
There’s nothing especially new here, but the good-natured celebration of books, reading, and libraries will charm fellow bibliophiles, and the author’s fans will enjoy making another anthropomorphic animal friend. (Picture book. 4-7)Pub Date: March 26, 2019
ISBN: 978-1-368-03689-4
Page Count: 48
Publisher: Disney-Hyperion
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
This catch is fumbled.
Having attempted to catch the Easter Bunny, Santa Claus, and the Gingerbread Man, a group of kids set their sights on a groundhog.
After two score and counting How To Catch books, this latest addition suggests that there’s nothing left to capture. The verses are feeble (“But I’m chilled to my bones deep inside / I feel the wind across my backside”), while the illustrations are mundane. On one page, a child crouches in a drift eating “stick cheese” (apparently because it rhymes with “trees”). Another catches a football thrown by a friend but falls across a stone slab, breaking it in two. Far below, the anthropomorphic groundhog’s breakfast is disturbed; his cup, saucer, creamer, and sugar bowl are jostled. “Tomorrow is his big holiday,” the children note. “Will a shadow fall outside the den? / We need him to answer this riddle: / we know winter ends but not when.” Ultimately, though the intrepid hunters set a series of traps, they’re disappointed to catch only a rabbit. The groundhog, it turns out, is hibernating in an elaborate wrought iron bed. On the very next page, the mayor holds up the beast. How was he caught, then? We don’t know. What was his verdict on winter’s duration? We don’t know. Will the series ever stop? We can only hope. Human characters are diverse.
This catch is fumbled. (Picture book. 4-7)Pub Date: Dec. 10, 2024
ISBN: 9781728293035
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Aug. 30, 2024
Kirkus Reviews Issue: Oct. 1, 2024
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