A morally ambiguous, serpentine, character-driven puzzle.
In Hovannisian’s metanovel, a “canceled” writer faces a reckoning on a mysterious island.
Adam is in a slump: Once a successful bad-boy author (think Bret Easton Ellis), he floundered when the tides turned against his brand of misogynistic fiction. Adam now teaches at a Los Angeles college, but he may not get tenure due to a scandal; after accusing him of sexual misconduct, his student, Mandy, commits suicide. Adding to his stress, Adam’s wife, Neve, wants a baby, but he doesn’t. When a black envelope arrives in his faculty mailbox containing an invitation to a Greek island to work on his next novel, he accepts. On a yacht, Adam meets five other men bound for the same destination. Will is a lifestyle influencer, helping men “get made, get paid, and get laid.” There’s a wealth manager, Camillio, and a formerly popular guru, Hari Rajneesh. Maxim is a conspiracy theorist, and River is an itinerant musician. The men discover their destination has caves in the hills resembling a honeycomb and is ruled by a queen. The area’s largely populated by attractive women (“belles and barbies and big bad bitches”); Adam is apprehensive, recalling the Agatha Christie mystery And Then There Were None. Hovannisian has composed an intriguing work of meta-fiction about an author writing about writing a novel—a form of literature described by her own character Adam as “contemptible.” The author’s characters reveal other surprising dimensions: gentle River, who rescues a bee that’s stuck in honey, reveals a dark secret; Neve alternates between being manipulative, sweet, and self-pitying; Adam, an unreliable narrator, keeps readers in doubt about what truth is. (He claims to have cared about and been kind to Mandy, but he also believes he’s embattled by a hostile environment, a “culture of castration.”) Like Adam, LA is ambiguously portrayed; it’s both radiant yet seedy, with a beautiful sky “like a robe of purple and gold,” yet it’s a place where “there is nothing to distract you from the smog of your own soul.” The protagonist’s worldview may be toxic to many, but satisfying twists await readers able to make it through.
A morally ambiguous, serpentine, character-driven puzzle.Pub Date: June 12, 2025
ISBN: 9798992590302
Page Count: 238
Publisher: SmallPub
Review Posted Online: June 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
Review Program: Kirkus Indie
BOOK REVIEW
PERSPECTIVES
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
High-concept and highly entertaining.
Fiction writers compete to finish a famous author’s abandoned novel.
Seven writers, all but one published, have received invitations to spend the weekend with crime novelist Arthur Fletch, the world’s most successful author, on his private island off the coast of Scotland. When they arrive at his cliffside castle, they expect to take part in one of the literary salons for which Fletch is famous; instead, they’re greeted by his agent, who informs them that Fletch is dead. Why has there been nothing about this in the press? Because “there are some…loose ends that must be tied up first.” Fletch has left his eagerly anticipated final novel unfinished, so the agent has summoned the writers to the island for a competition: One of them will get to complete Fletch’s book. As premises go, this one’s a humdinger, courtesy of fantasy writer V.E. Schwab and YA author Cat Clarke, here joining forces as Clarke. The story contains an amusing throughline about the indignity of being an uncelebrated novelist; as the agent tells the assembled writers, the contest winner will receive both cash and something equally valuable: “a way out of the midlist.” The novel’s wandering perspective allows each writer to vent their private frustrations, especially with the publishing industry and with the book world’s genre hierarchy (the YA writer among the competitors understands that she and the romance writer are “supposed to support each other against the general snobbishness of the other genres”). Readers who have come for the crimes and the twists, both of which are plentiful, might grow impatient with all the characters’ backstories, but these readers will likely warm to the shop talk, which at its funniest plays like a kvetchy midlist-writers’ support group.
High-concept and highly entertaining.Pub Date: April 7, 2026
ISBN: 9780063444614
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 19, 2026
Kirkus Reviews Issue: Feb. 15, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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