Lyrical and aching in all the right measures, a finely crafted piece of work distilled to its essence.
A strikingly elegant family history, shot through with a poet's appreciation of Hawaiian geology.
Done out of his inheritance by a ruthless stepmother, the author's father moved the family from Hawaii to Los Angeles in the early 1950s. It was a jarring dislocation, made still more unreal when Hongo's parents chose to shroud their Hawaiian days, and many family members, in secrecy. As a mainlander teaching poetry to college students, Hongo (The River of Heaven) felt the pull of Hawaii and the need to do some digging in the family archives. He and his wife and child take up residence in Volcano, Hawaii, where the Hongo Store once served the locals. Reacquainting himself with the island, the author takes long walks afield and is smitten by the volcanic landscape, a patch of living incandescence: "I was spellbound out there, suddenly in a world strangified...a kind of silvery ocean on whose waters I could walk.'' Relatives are met—some confrontationally—and Hongo pumps them for his family's history. Stories emerge, and he turns them lovingly in his storyteller's hand, catching their drift and finding their dignity (or lack thereof). Meeting the dastardly stepmother is a great moment, and so too is the tale of the marine, the shop clerk, and the grocer's revenge. The poet's own progress, riddled with fits and starts, gets special, and raw, consideration. Through it all, Hongo quests for "that governing story of a familial past,'' one that may explain his family's detachment and his own dispirit. He finds instead a "beauty in belonging to this earth and to its past, even one locked in mystery and prohibition, unstoried.''
Lyrical and aching in all the right measures, a finely crafted piece of work distilled to its essence.Pub Date: May 23, 1995
ISBN: 0-394-57167-3
Page Count: 384
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1995
BOOK REVIEW
Flawed but poignant and often funny.
Comedian and Onion director of digital Thurston (Better Than Crying: Poking Fun at Politics, the Press & Pop Culture, 2003) delivers a “book about the ideas of blackness” in the guise of a helpful how-to guide to being black.
The author and a “Black Panel” made up of friends and colleagues, including one white person to avoid charges of reverse discrimination and also as a control group, ponder many questions about being black—e.g., “When did you first realize you were black?” and “Can you swim?” However, the humor does not serve the role of making light of race and racism, but rather as a gentle skewering that invites serious consideration of how black Americans are often limited by certain expectations concerning blackness. In “How to Speak for All Black People,” Thurston challenges the assumption that one black person can speak to the experience of an entire race, as well as the assumption that a black person can only speak to the black experience. In “How to Be the Black Employee,” he confronts the challenges of being hired both for the job and for being black—you will and must be, for instance, featured in every company photo. The humor does not always work; at times it is blog-like cleverness for the sake of cleverness (and is yet another joke about blacks needing white friends to get a cab really needed?). Thurston is at his best when he writes about his own life: growing up in Washington, D.C., attending Sidwell Friends School, matriculating at Harvard (“my experience of race at Harvard was full of joy and excitement”). The key to greater harmony is not necessarily seeing beyond race, but, as one Black Panelist puts it, to “see that and all of the things that I have done, to embrace all of me.”
Flawed but poignant and often funny.Pub Date: Feb. 1, 2012
ISBN: 978-0-06-200321-8
Page Count: 256
Publisher: Harper/HarperCollins
Review Posted Online: Dec. 12, 2011
Kirkus Reviews Issue: Jan. 1, 2012
Caro’s skill as a biographer, master of compelling prose, appealing self-deprecation, and overall generous spirit shine...
At age 83, the iconic biographer takes time away from his work on the fifth volume of his acclaimed Lyndon Johnson biography to offer wisdom about researching and writing.
In sparkling prose, Caro (The Years of Lyndon Johnson: The Passage of Power, 2012, etc.)—who has won two Pulitzer Prizes, two National Book Awards, and three National Book Critics Circle Awards, among countless other honors—recounts his path from growing up sheltered in New York City to studying at Princeton, Harvard, and Columbia to unexpectedly becoming a newspaper reporter and deciding to devote his life to writing books. Thinking about his first book topic, he landed on developer Robert Moses, “the most powerful figure in New York City and New York State for more than forty years—more powerful than any mayor or any governor, or any mayor and governor combined.” After Caro received a book contract with a small advance from a publisher, he, his wife (and research assistant), Ina, and their son struggled to make ends meet as the project consumed about a decade, much longer than the author had anticipated. The book was more than 1,300 pages, and its surprising success gave Caro some financial stability. The author explains that he focused on Johnson next as an exemplar of how to wield political power on a national scale. Throughout the book, the author shares fascinating insights into his research process in archives; his information-gathering in the field, such as the Texas Hill Country; his interviewing techniques; his practice of writing the first draft longhand with pens and pencils; and his ability to think deeply about his material. Caro also offers numerous memorable anecdotes—e.g., how he verified rumors that Johnson became a senator in 1948 via illegal ballot counting in one rural county.
Caro’s skill as a biographer, master of compelling prose, appealing self-deprecation, and overall generous spirit shine through on every page.Pub Date: April 9, 2019
ISBN: 978-0-525-65634-0
Page Count: 240
Publisher: Knopf
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
SEEN & HEARD
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