Essential for students of the Church, and a vigorous and readable version of one of Western literature’s canonical works.
The second installment in prolific classicist and political theorist Wills’s ongoing, thoroughly brilliant translation of St. Augustine’s Confessions (St. Augustine’s Childhood: Confessiones, 2001).
“The scope of memory is vast, my God, in some way scary, with its depths, its endless adaptabilities—yet what are they but my own mind, my self?” Thus Augustine of Hippo, on the road to sainthood, contemplating himself contemplating the divine. Two-thirds of Augustine’s 13-volume Confessions (which Wills also renders as Testimony), written in the fourth century, concerns his life before his conversion to Christianity. Book Ten, which takes up most of the present volume, is, as Wills (Why I Am a Catholic, p. 870, etc.) notes, a hinge, “making the turn between an account of God’s graces shown to Augustine before his baptism . . . and a meditation on his life as baptized into the Trinity.” Concerning memory and the innermost workings of the human mind, Book Ten is notoriously difficult: it seeks to establish the memory not just as a vast warehouse wherein unordered experiences are stored and retrieved, but as one of the many dwellings of God. Augustine writes with crystalline clarity of the contents of his own memory: “I can, while smelling nothing, identify the wafture from a lily, contrast it with that of a violet.” But, turning from his own experience to the universal, he sometimes wanders into snarls of prose: “So if I remember not forgetting itself, but forgetting’s representation, then forgetting must have been present when the representation was formed from it.” Wills helpfully guides his readers through such knots in his endnotes, remarking, “Chesterton said that we tend to call this an odd world, though it is the only one we know. This is akin to Augustine’s discussion of the experience of remembering that we forgot, which is almost like sensation in a lost limb.”
Essential for students of the Church, and a vigorous and readable version of one of Western literature’s canonical works.Pub Date: Nov. 11, 2002
ISBN: 0-670-03127-5
Page Count: 240
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2002
BOOK REVIEW
BOOK REVIEW
That sense of joy infuses these gentle essays. “Old age sits in a chair,” writes Hall, “writing a little and diminishing.”...
The writing life at age 85.
In this collection of 14 autobiographical essays, former U.S. Poet Laureate Hall (Christmas at Eagle Pond, 2012, etc.) reflects on aging, death, the craft of writing and his beloved landscape of New Hampshire. Debilitated by health problems that have affected his balance and ability to walk, the author sees his life physically compromised, and “the days have narrowed as they must. I live on one floor eating frozen dinners.” He waits for the mail; a physical therapist visits twice a week; and an assistant patiently attends to typing, computer searches and money matters. “In the past I was often advised to live in the moment,” he recalls. “Now what else can I do? Days are the same, generic and speedy….” Happily, he is still able to write, although not poetry. “As I grew older,” he writes, “poetry abandoned me….For a male poet, imagination and tongue-sweetness require a blast of hormones.” Writing in longhand, Hall revels in revising, a process that can entail more than 80 drafts. “Because of multiple drafts I have been accused of self-discipline. Really I am self-indulgent, I cherish revising so much.” These essays circle back on a few memories: the illness and death of his wife, the poet Jane Kenyon, which sent him into the depths of grief; childhood recollections of his visits to his grandparents’ New Hampshire farm, where he helped his grandfather with haying; grateful portraits of the four women who tend to him: his physical therapist, assistant, housekeeper and companion; and giving up tenure “for forty joyous years of freelance writing.”
That sense of joy infuses these gentle essays. “Old age sits in a chair,” writes Hall, “writing a little and diminishing.” For the author, writing has been, and continues to be, his passionate revenge against diminishing.Pub Date: Dec. 2, 2014
ISBN: 978-0544287044
Page Count: 144
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Sept. 15, 2014
Kirkus Reviews Issue: Oct. 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Erudite writing from an author struggling to find meaning through music.
An Ohio-based poet, columnist, and music critic takes the pulse of the nation while absorbing some of today’s most eclectic beats.
At first glance, discovering deep meaning in the performance of top-40 songstress Carly Rae Jepsen might seem like a tough assignment. However, Abdurraqib (The Crown Ain’t Worth Much, 2016) does more than just manage it; he dives in fully, uncovering aspects of love and adoration that are as illuminating and earnest as they are powerful and profound. If he can do that with Jepsen's pop, imagine what the likes of Bruce Springsteen, Prince, or Nina Simone might stir in him. But as iconic as those artists may be, the subjects found in these essays often serve to invoke deeper forays into the worlds surrounding the artists as much as the artists themselves. Although the author is interested in the success and appeal of The Weeknd or Chance the Rapper, he is also equally—if not more—intrigued with the sociopolitical and existential issues that they each managed to evoke in present-day America. In witnessing Zoe Saldana’s 2016 portrayal of Simone, for instance, Abdurraqib thinks back to his own childhood playing on the floor of his family home absorbing the powerful emotions caused by his mother’s 1964 recording of “Nina Simone in Concert”—and remembering the relentlessly stigmatized soul who, unlike Saldana, could not wash off her blackness at the end of the day. In listening to Springsteen, the author is reminded of the death of Michael Brown and how “the idea of hard, beautiful, romantic work is a dream sold a lot easier by someone who currently knows where their next meal is coming from.” In all of Abdurraqib’s poetic essays, there is the artist, the work, the nation, and himself. The author effortlessly navigates among these many points before ultimately arriving at conclusions that are sometimes hopeful, often sorrowful, and always visceral.
Erudite writing from an author struggling to find meaning through music.Pub Date: Nov. 14, 2017
ISBN: 978-1-937512-65-1
Page Count: 288
Publisher: Two Dollar Radio
Review Posted Online: Oct. 1, 2017
Kirkus Reviews Issue: Oct. 15, 2017
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