Indifferently written, but a useful character study of a figure often overlooked today.
Serviceable biography of the legendary player who, writes debut author Poole, was the “one man who could be considered the founding father of our football culture.”
Make that our big-media, big-money sports culture generally. Red Grange, renowned beginning in the 1920s for breakaway, full-field runs that gave his version of the game the appearance of rugby, was football’s Babe Ruth. He may have been slightly cleaner-living and certainly more photogenic, but he was also just as deeply implicated in the transformation of a backlot, democratic game into a machine that could make considerable fortunes for a few lucky players and owners. Matched with an unscrupulous manager, Grange was soon at the pinnacle of the system; by 1928, Poole reckons, he was earning more than $3.4 million per year “in an era when athletes were not highly compensated.” Confronted with owners who wouldn’t see things his way, he also cooked up a wildcat league that, for various reasons, wound up diminishing his reputation while strengthening the regular league “because more skilled professional players were now available, making the NFL game fundamentally faster and better played.” Cause and effect here and elsewhere is a little sketchy, and Poole’s prose is a bit clunky (“Red could not have hidden his pain, his thoughts about the inevitable, the future. Red needed a knee specialist. He needed rest.”). But the valuable part of the narrative is a story that many sports fans will not know, or at least know only in outline—namely, the increasing blurring of sports figure and cultural celebrity in the Depression era, especially once Hollywood began to recruit sports stars to turn up in all sorts of B-list productions. That blurring, after all, is what defines sports figures today, and Grange was an indisputable pioneer.
Indifferently written, but a useful character study of a figure often overlooked today.Pub Date: Sept. 11, 2008
ISBN: 978-0-618-69163-0
Page Count: 304
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2008
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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