Engrossing portrait of an often baffling legal subculture that might make any career offender consider a new livelihood.
Shrewdly constructed, compulsively readable account of Sacramento Bee senior writer Delsohn’s year among the California capital’s homicide prosecutors.
The Pulitzer-nominated journalist spent 2001 shadowing district attorney Jan Scully and her tough-minded Major Crimes chief John O’Mara; this intimate access, which the author terms unprecedented, pays off in a nuanced view of the prosecutors’ at once complicated and seedy world. It was a tough year in Sacramento: several wrenching, high-profile trials unwound simultaneously. In an ambitious tactic that certainly holds the reader’s attention, Delsohn follows all of them, interspersing each separate yet equally tricky legal proceeding among the others. The crimes are vile, ranging from a hardcore thug who shotgunned to death a young clerk in a robbery, to a 20-year-old from a “good home” who raped and murdered a 12-year-old girl, with the notorious decades-old SLA bank robbery/murder thrown in as well. The trials themselves are packed with human drama—in one, the public defender recuses herself due to her romantic involvement with another murderer—although in each instance the prosecutors become more aggressive and assured as their cases wend forward. Delsohn is positive (perhaps to a fault) in his portrayal of the prosecutors, depicting figures like O’Mara as bulldogs in the public interest who are glad to be despised by local defense attorneys and felons. The writer admirably captures the delicate relationships that form during long, overwhelming trials among the government attorneys, homicide survivors, and unpredictable judges and juries, as well as the murky, methamphetamine-ridden environments from which so much contemporary violence springs. Densely written, the text reads like a mix of early Law & Order scripts and old-school urban history, displaying a clear sense of regional specificity and aptly handling the cast of cops, DAs, hapless gangbangers, career criminals, and some scary predators from both the upper class and the underclass.
Engrossing portrait of an often baffling legal subculture that might make any career offender consider a new livelihood.Pub Date: Aug. 11, 2003
ISBN: 0-525-94712-4
Page Count: 384
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2003
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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