A self-involved, amateurish tale of a trip into the world of capital punishment. Freelance journalist Goldhammer made a cross-country journey in 1990 to explore the world of state-sanctioned killing. ``If I wanted to read an in-depth report on capital punishment, I would have to write it myself,'' he declares. However, his findings don't go much beyond extant journalism, and his book is far overshadowed by Helen Prejean's Dead Men Walking (1993). Goldhammer writes in a modified diary form, with long quotes from his subjects amplified by awkward faux drama: ``In my mind, trepidation hung in the cool fall air....'' He opposes the death penalty, citing the usual, solid reasons: It's no deterrent; it's mainly applied to the poor and black; the endless appeals that follow a sentence of death are more costly than life imprisonment. His interviews contain nuggets of interest: Philosopher Hugo Bedau, author of The Death Penalty in America, declares support for the death penalty ``a mile wide and an inch deep''; much publicized Virginia inmate Joe Giarratano's legal expertise leads a guard at Giarratano's prison to say, ``Everybody here respects him.'' Goldhammer goes to a Florida prison for the execution of Ray Clark, and interviews death penalty abolitionists and supporters; he declares resonantly that the white handkerchief that indicates the execution is complete is ``a sign of surrender,'' of society giving up. In Alabama, the warden in charge of death row refuses to voice his personal views on the death penalty; he says offering education and certain privileges makes his inmates ``the best group of guys I've ever had.'' In closing, the author gives an account of a case he followed, involving a severely retarded young man who brutally killed an eight-year-old boy and was sentenced to death. Falls short both as narrative and as argument. (10 photos, not seen)
Pub Date: Oct. 15, 1994
ISBN: 1-879418-15-0
Page Count: 200
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1994
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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